BUY IT AT AMAZON: CLICK HERE!STUDIO: SonyMSRP: $19.95RATED: PG-13 for Monster ViolenceRUNNING TIME: 139 Minutes SPECIAL FEATURES: Available Subtitles: English, French Available Audio Tracks: English (Dolby Digital 5.1), French (Dolby Digital 2.0 Surround) All new best of Godzilla fight scenes 3 episodes from the "Godzilla" animated series Production art gallery Special effects supervisor commentary "Heroes" … Continue reading →
What is this? Every single day of the week (almost), a new "Graboid", a single moment grabbed from a random movie, appears on this site for you to guess the name of the film, share with your officemates, or discuss on our message boards. Sometimes the Graboid will be very easy and sometimes it’ll be … Continue reading →
BUY IT AT AMAZON: CLICK HERE!STUDIO: Tartan VideoMSRP: $24.99RATED: RRUNNING TIME: 86 MinutesSPECIAL FEATURES: • Commentary by author Tom Mes• Featurettes• Interview with Shinya Tsukamoto• Music video• Tartan Asia Extreme TrailersThe Pitch A young man reconnects with his former lover…after dissecting her bit by bit. The Humans Tadanobu Asano, Nami Tsukamoto, Kiki and Jun Kunimura … Continue reading →
Tom Hanks wasn’t satisfied with the massive whoring for Fed Ex that he did in Cast Away – the two time Oscar winner is now turning his attention to a movie so saturated in product placement it has the name of a major coffee chain in the title. The movie is How Starbucks Saved My … Continue reading →
I don’t really understand why America is afraid of British TV. It’s the same language, you know, and unlike the heyday of Dr. Who, modern British TV looks essentially as good as modern American TV. And like 300 percent better than anything on UPN. This fear of British TV leads to a phenomenon where American … Continue reading →
If this doesn’t put the final nail in Arrested Development’s coffin, I don’t know what does: creator and show runner Mitch Hurwitz has quit. Granted, quitting the show seems like an odd formality at this point in time, with Fox shit-canning it, but it looked like Showtime was going to pick it up, so there … Continue reading →
I’m not going to bore you once again with my argument for why there is no wrong time to make a good movie about 9/11. I won’t again remind you that we have no problem with books or songs about 9/11, and I won’t ask you why film should be treated as any less of … Continue reading →
(From The Further Adventures of… stories) DOOM wishes it to be known that this tale of history has never been told before, and DOOM is only revealing it because DOOM wishes it to be so. DOOMTIME: MAY 1973 – WASHINGTON D.C., USA. DOOM first saw her across a crowded room at what the American Government … Continue reading →
I suppose we could start this out with a frayed trenchcoat. You see, I’m wearing it and beckoning you closer. Except I’m not going to expose myself this time. My sweet, sweet words entice you, although you’re not sure quite yet. So what if I told you that you could have the opportunity to win … Continue reading →
This is my third time interviewing Richard Taylor, the capo of WETA. The guy doesn’t talk, he declaims. It’s always fun listening to him, not just because of his unique take on the monotone but because he still manages to get such passion across. King Kong, on DVD today, is certainly Taylor and WETA’s greatest … Continue reading →