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This is the big dump. Not in the hot, sexy way but in the way that it takes ALL of our content and dumps it in one spot for you. Wait, that IS hot and sexy!

WEEKEND BOX OFFICE REPORT

Rank Title WeekendGross CumulativeGross Weeks in Release 1 Gridiron Gang $15,000,000 $15,000,000 1 2 The Black Dahlia $10,362,000 $10,362,000 1 3 Everyone’s Hero $6,150,000 $6,150,000 1 4 The Last Kiss $4,702,000 $4,702,000 1 5 The Covenant $4,700,000 $15,714,000 2 6 Invincible $3,904,000 $50,911,000 4 7 The Illusionist $3,751,000 $23,254,000 5 8 Little Miss Sunshine $3,350,000 … Continue reading

FESTIVAL REVIEW: BLACK SHEEP

New Zealand Jonathan King   Someone had to finally force sheep buggery into a horror film, and it makes sense that a Kiwi would be the one to do it. With Black Sheep, Jonathan King has made a film so obviously indebted to Peter Jackson (Dead Alive in particular) that it can be difficult to … Continue reading

FESTIVAL REVIEW: SEVERANCE

UK Christopher Smith   In 2004 Christopher Smith’s debut Creep was a TIFF Midnight Madness pick I recommended, albeit with qualifications. For 2006 I’m happy to recommend his second feature, Severance, with no qualifications at all. People are calling it The Office meets Deliverance, which is as good a way as any to get asses … Continue reading

ERA. GONE.

I know next to nothing about Eragon other than the fact it was probably called Dragon and its precocious author accidentally hit "E" and history was made. Christopher Paolini was 15 years old when he started the book which inspired the upcoming Fox fantasy flick, so I guess he gets a pass on some factors. … Continue reading

FESTIVAL REVIEW: RESCUE DAWN

USA Werner Herzog I’m not going to address Werner Herzog’s new feature as an adaptation of his own documentary Little Dieter Needs To Fly. In part because it’s been years since I saw the doc, but more important is that the comparison isn’t what makes this movie good, not is it the point of sale … Continue reading

FESTIVAL REVIEW: MACBETH

Australia Dir: Geoffrey Wright In the Shakespeare canon, reinterpretation is like adrenaline. The bard’s plays have endlessly been folded, cut and crumpled into new shapes, deviant forms. So it’s not a shock to see Macbeth transposed onto modern Melbourne, where feudal kingdoms become drug organizations and the Castle Dunsinane a lavish mansion. Ideally, this would … Continue reading