This is the big dump. Not in the hot, sexy way but in the way that it takes ALL of our content and dumps it in one spot for you. Wait, that IS hot and sexy!
Do you know examples of really old trailers (older than Carrie) that give away the whole movie as egregiously as this one does? Drop me an email at devin@chud.com or post it on our message board.
Dukes, Counts, etc. Contempt, Vivre sa Vie Meow Door Trix, Kix 1 The Golden Compass $26,125,000 $7,405 $26,125,000 2 Enchanted $10,706,000 (-34.7%) $3,041 $83,865,000 3 This Christmas $5,000,000 (-37.0%) $2,660 $42,760,000 4 Fred Claus $4,660,000 (-15.3%) $1,463 $65,589,000 5 Beowulf $4,400,000 (-46.4%) $1,478 $75,983,000 6 No Country for Old Men $4,233,000 (-3.5%) $3,197 $28,861,000 7 … Continue reading →
Early this year I went to London to do some New Line set visits. The one for The Golden Compass was, much like the movie, not very good. But the other set I visited was a movie I had never even heard of – Inkheart. In it Brendan Fraser and his cinematical daughter have the … Continue reading →
Back in February I told you that Idiocracy was going to be the next great cult classic. Mike Judge’s film, which Fox didn’t fund to completion and then dumped into a handful of theaters, is a withering attack on the inanity of modern life. A completely average guy gets cryogenically frozen and awoken hundreds of … Continue reading →
I was feeling rough the morning of the Juno press day here in Los Angeles. It had been a long couple of days and very much a long night; I skipped the food in the hospitality suite and went right for the Starbucks doubleshot espressos and the Red Bull. I was about to start my … Continue reading →
People say to me, “Dellamorte (or Andre, or Dre, for that matter), you’re so good at predicting box office, are you a God?”The short answer is no. The long answer involves my lineage, and that involves being born in the outskirts of Poland, and learning English through television. But… if I was a god, like … Continue reading →
“It is happening again.” Those words, spoken by the giant in Twin Peaks, are fucking ominous. They mean that a cycle of horror and death is coming around again; even as the words are spoken, someone is dying. Terribly. Which is as good a way as any to explain how I see the work of … Continue reading →
I’m not sure what I can do to break the string of Shutter Island articles featuring lame title metaphors, so I’m just going to stop thinking about it. The Scorsese/DiCaprio production has added its first high-profile female cast member: Michelle Williams will be heading to the remote New England locale as the wife of DiCaprio’s … Continue reading →
I met Noah Baumbach at the afterparty for the LA premiere of Margot at the Wedding. I hadn’t seen the movie – the theater had been filled to capacity and I had been turned away – but I still introduced myself anyway, like a doofus. Baumbach wasn’t impressed with the guy at his party who … Continue reading →
I’m almost ashamed to admit it, but the thought of Gary Winick directing Anne Hathaway and Kate Hudson in a comedy about two friends who have it out over conflicting wedding dates makes me kind of happy. Not to hype him up as the next Howard Hawks, bit I thought Winick evinced a shockingly light … Continue reading →