If Ernest could go to prison, why not Pee Wee? That’s one of the two possible movie concepts for the triumphant return of the once-disgraced Pee Wee Herman. Hell, if Ollie North could have a major career as a commentator and a writer after seeking to undermine the very Constitutional fabric of this country and … Continue reading →
Worry not, Chewers, Paramount’s Black Hole will not be a remake of the seminal floating robot film, but rather an adaptation of Charles Burns’ black and white graphic novel about a group of kids hit with a very, very weird STD.It took Burns ten years to finish his 12 part story, which has just been … Continue reading →
Paramount Pictures president Gail Berman has laid out the studio’s plans for the next couple of years, and one of the things that she mentioned that caught my eye was a sequel to Jackass. The original Jackass was a monster smash for the studio – it cost only 5 million to make and it raked … Continue reading →
Every single day of the week, a new Graboid appears on this site for you to guess the name of the film, share with your officemates, or discuss on our message boards. Sometimes the graboid will be very easy and sometimes it’ll be as obscure as obscure gets. So read the news, read the reviews, … Continue reading →
Because hookers are fucking funny (prostitute puns!), Jennifer Love Hewitt, who sometimes dresses like one, is planning to just go ahead and portray one in an upcoming comedy. The deep-cleavaged cutie will bring her increasingly pendulous breasts to a movie about a homecoming queen turned housewife harlot, based on an article called "She Had Brains, a Body, … Continue reading →
The inevitable remake of George Romero’s zombie classic Day of the Dead (and yeah, I suppose it’s a classic – I know plenty of people who worship it more than Dawn) now officially has a man behind the camera – Steve Miner. We actually heard this about a month ago, but they apparently decided to … Continue reading →
What’s next for Darren Aronofsky? He’s finishing up work on The Fountain, his long-gestating epic space/time love story, and after that he’s helming an episode of Lost. Then what? I have gotten used to two things with Aronofsky – long waits between projects and lots of stops and starts and planned movies falling to the … Continue reading →
Over the last couple of weeks I have told you that word on the street was that Spielberg’s Munich was running behind, and that there was some doubt that the film would actually hit at the end of the year as promised – and in time to make it an Oscar contender. Spielberg’s mouthpiece Martin … Continue reading →
The flick? Monster House. The locale? Sony Studios in Culver City, California. The agenda? Find out what in the flying balls this film is all about. I do regret to inform that I did not get punched in the tit (or pec, as my chest is in fact QUITE sculpted… ahem) by Richard Dreyfuss like … Continue reading →
I know that as a semi-professional film critic it’s bad form for me to hate a movie not only before it’s released, but even before it’s shot. I just shouldn’t be allowed to hate a movie based only on the barest of plot outlines. I mean, I should be able to look at a film … Continue reading →