Is it exciting to talk about a new Anne Hathaway movie? Um, no. Is it exciting to find any excuse to post pictures of her cleavage to ogle? Survey says yes. But I suppose we do have to slip in actual news just to keep up appearances. Think of this article as a Flintstones Vitamin: … Continue reading →
For years now, there’s been talk, talk, and more talk of a Voltron movie, and that’s mostly lead to…just more talk, whether it be rumors that Pharrell from the Neptunes had been tapped to score it or people who refuse – to this day – to let go of the idea that Cloverfield/1-18-08 is the … Continue reading →
When I first heard that they were going to make a movie, Notorious, out of Biggie Smalls’ life, my mind immediately jumped into fantasy casting mode. And after about 5 minutes and a mild headache, I jumped right the fuck out of fantasy casting mode. The guy was truly one-of-a-kind, and that went for both … Continue reading →
We all know it’s Shia LeBeouf’s year. But I’m not basing it on the success of Disturbia or Transformers. I’m not basing it on the fact that Spielberg reportedly loves the kid and wants to have his babies. I’m not basing it on his surely skyrocketing asking price. No, no, no. I look at what’s … Continue reading →
I know that Thomas Haden Church had a lot of lean years leading up to his sterling turn in Sideways. And I also understand that lots of cats simply want to work constantly to keep the dough rolling in and (hopefully) to exercise those thespian muscles. But Church seems to be accepting projects these days … Continue reading →
Ah, the accelerated cycle of Web buzz. For J.J. Abrams’ Cloverfield/1-18-08, we’ve gone from excitement at the initial trailer to intrigue regarding the follow-up viral marketing to frustration backlash at the apparent aimlessness of said viral marketing to backlash against that backlash as people write off the frustration as geek loathing since we’re supposedly now … Continue reading →
When I first heard of Crossing Over, I wondered why anyone thought a feature-length film about communicating with the dead would work. About two milliseconds later when I actually read the description of it, I thought the border/immigration drama starring Harrison Ford, Ray Liotta, and Sean Penn would be notable given the convenient rehashing of … Continue reading →
With all of the recent furor over the Batman films on the boards, I’ve seen oft-regurgitated slams on the Schumacher films for being so overtly gay and non-serious. But I just don’t see the complaints as much when it comes to what Bryan Singer did with Superman Returns. After all, he turned the franchise relaunch … Continue reading →