1. ENTERTAINMENT WEEKLY #939 Sure, their film reviews are hated by geeks. Yes, they follow trends incessantly. And yes, music coverage is generally an afterthought. But it’s surely the most fun weekly read out there, and they have television on lock. Plus, they’ll surprise with every now and then with a great piece on overlooked … Continue reading →
Welcome to the first The Special Edition: Coming Soon column. From here out, I will be posting all coming soon news in this, a new spin off column of the original The Special Edition. The original was becoming a monster to read, so I figured two normal-sized columns would be an easier read to get … Continue reading →
I’m surprised that it took this long for one of Aint It Cool News’ ‘spies’ to lose his job over a review posted on that site. The axe fell on a guy named ‘Memflix,’ who has a five month old son and supported him by working as a projectionist for the Malco Theater chain; ‘Memflix’- … Continue reading →
From Trois 3: The Escort to I’ll Always Know What You Did Last Summer to Stomp the Yard, Sylvain White has, in his very young career, demonstrated that he will direct anything provided there’s a steady paycheck in it – which makes him the Winston Zeddmore of the American film industry. In a way, there’s … Continue reading →
One of the pluses of Stephen Sommers’s Van Helsing underperforming a few years ago is that it kyboshed the director’s attempt to single-handedly travesty Universal’s "classic monsters" catalogue. Had he succeeded, we wouldn’t have Mark Romanek’s and Andrew Kevin Walker’s The Wolf Man (starring Benicio Del Toro) looming on the horizon. We also wouldn’t have … Continue reading →
We’re gearing up to restart the Podcast Train in a big way, but this caboose don’t exactly run on coal. It’s powered by your input, specifically your voicemails. Our last full installment was full of us enjoying your rambling, then promptly mocking it with all we had. We look forward to doing more of that. … Continue reading →
Death At A Funeral is the latest film from Frank Oz, who has a decent bit to answer for due to 2004’s criminally unfunny, ungood, and unwatchable The Stepford Wives. But try not to hold that against him too much. The guy’s giving us a well-reviewed comedy here, and he’s working with a supersharp Brit … Continue reading →
–You can stop wringing your hands over the rounding out of casting for the upcoming Universal comedy Baby Mama. In a bold choice, smiley everyman Greg Kinnear has been cast as the male lead opposite female lead Tina Fey, while ER doc and The Claw proponent Maura Tierney has been added as Fey’s sister in … Continue reading →
I must be getting old, because I remember a time when Renny Harlin was making movies people went to see, even when that was still a hit and miss affair. Example: The successful Die Hard 2 was followed up by flaming wreck The Adventures of Ford Fairline which was followed up by short-term Stallone resuscitator … Continue reading →
Everyone’s favorite New Zealander-turned-Bond director-turned-Bond fan heartbreaker, Martin Campbell, has nabbed his next gig. After finishing out the upcoming thriller Unstoppable, Campbell will be taking the reigns of Paramount’s 36, a remake based on the 2004 French crime film 36 Quai Des Orfevres (the assumed address of the French Police’s Criminal Division).I missed the original … Continue reading →