This is the big dump. Not in the hot, sexy way but in the way that it takes ALL of our content and dumps it in one spot for you. Wait, that IS hot and sexy!
The news that screenwriters Michael Dougherty and Dan Harris have "opted not to come back" for Man of Steel is surprising in one regard: up until now, I didn’t think Warner Brothers was serious about reinventing the failed re-whatever of D.C. Comics’ signature superhero. While I can’t speak to any schism between Bryan Singer and … Continue reading →
Last night I was walking down Hollywood Boulevard and a Sexy Nurse walked past me. Usually I would assume she was just a hooker, but I soon saw more people in costumes; there must have been a pre-Halloween party somewhere in the area. I have to admit that I took a long look at the … Continue reading →
Film Weekend Per Screen Total for all of time 1 30 Days of Night $16,000,000 $5,604 $16,000,000 2 Tyler Perry’s Why Did I Get Married $12,100,000 (-43.3%) $5,948 $38,865,000 3 The Game Plan $8,122,000 (-26.4%) $2,460 $69,150,000 4 Michael Clayton $7,100,000 (-31.6%) $2,746 $21,986,000 5 Gone Baby Gone $6,000,000 $3,502 $6,000,000 6 The Comebacks $5,850,000 … Continue reading →
When talking to Steve Hockensmith, there is an on-going theme. Something he keeps coming back to: His books don’t sell as well as he and his publisher want and the future of the books is uncertain. This should not be. His books are funny, original, and rather than plots driving the characters, the characters drive … Continue reading →
I was talking with CHUD’s own Jeremy Smith about White Jazz the other day, saying how excited I was for it. Jeremy said he had heard that the project was in trouble; I laughed it off, saying that if George Clooney wanted to make the movie, the movie would get made. George Clooney has dropped … Continue reading →
And we’re back-uh! Welcome once again to another edition of the Anchor Bay Upfront. Oh, and now this bitch is weekly! We’ve got a lot of discs to cover and..well…all the time in the damn world to cover them, but we’re gonna get right to it anyway. So, without further ado… Masters of Horror – … Continue reading →
It’s been known that Darren Aronofsky’s production company, Protozoa Pictures, had Robert Siegal’s script The Wrestler. But it’s only as of yesterday that we know Aronofsky is actually in talks to direct. This’ll make half of a matched salt and pepper shaker set with The Fighter, the story of boxer Irish Mickey Ward, which Aronofsky … Continue reading →
Why, oh, why is Spike Jonze’s Where the Wild Things Are still a whole year away? His big screen take on Maurice Sendak’s Caldecott Medal-winning picture book wrapped principal photography last December, and, since then, we’ve been teased with one amazing still image (seen above). Other than that, all has been excruciating mystery. Until now. … Continue reading →