We’re a hotheaded group of individuals. We crave a pull quote like anyone else, but it’s not about that. It’s only about you the reader. We love you. We want to take you home and cuddle with you. The following reviews are the opinions of the editors of CHUD.com and are by most accounts bang on.
In the last four years, the work of Thai filmmaker Pen-ek Ratanaruang has grown more alienated and interior. The trend began with his career-high Last Life In The Universe, which built a love story in spite of language and cultural barriers. The follow-up and companion piece of sorts, Invisible Waves, tore the love story apart … Continue reading →
Wrong Turn 2 is available today on DVD. You can buy it through CHUD by clicking here. This review is just for the film, which I saw at a special screening as part of Screamfest LA, not for the DVD features. Joe Lynch hasn’t reinvented horror with Wrong Turn 2. He hasn’t created some new … Continue reading →
"Look at these assholes." That’s the funniest line in The Darjeeling Limited, and it also marks the point where the film slowly begins to deflate. At this point in the film the three Whitman brothers who are taking a train trip across India come across another group of brothers taking their own trip, across a … Continue reading →
To say that The Seeker: The Dark Is Rising is worse than the book on which it is based is faint praise, since I found the book to be a barely readable bore. The movie’s script, by the guy behind Trainspotting, believe it or not, at least has the kindness to include incidents; ie, stuff … Continue reading →
Tony Gilroy’s directorial debut, Michael Clayton, blares its brilliance over the opening credits, as Arthur Edens (Tom Wilkinson), the manic depressive ace litigator for Kenner, Bach & Ledeen (a corporate law armada blasting away in defense of a massive agrochemical conglomeration called U/North), rails in high Chayefskian dudgeon against the malevolence of corporate America, and, … Continue reading →
The Punisher stunk. You know it. I know it. Lionsgate knew it – they had a really tough time marketing the Artisan film in the wake of the acquisition of the company (it is, after all, a film in which “punishment” is meted out via parking citation – not quite what comic fans or mainstream audiences … Continue reading →
Few things at Toronto this year made me happier than the fact that I’m Not There, Todd Haynes’ much-questioned ‘biography’ of Bob Dylan, was good. Scratch that. Albeit uneven, the film glows with outrageously great moments, many featuring Cate Blanchett’s androgynous transformation. This is a wickedly smart and lively flick that sidesteps biopic clichés (like … Continue reading →
"[Ridley] Scott is a decorator, a borrower, and a synthesist; like a great machine he contains all striking images and can deliver and fuse them, so long as the product is impersonal." That’s from David Thomson’s dismissive entry on the master in The New Biographical Dictionary of Film, and this bullshit attitude reminds us why … Continue reading →
Buy this book from CHUD.com!I will not lie to you: I like naked women. I like looking at women naked, both in real life and in films. More than that, though, I like looking at famous women naked*. I used to buy Celebrity Skin magazine back when it made sense to buy a magazine. I … Continue reading →
Michael Clayton feels like an exercise in restraining everything you like about George Clooney. It’s as if Tony Gilroy woke up every morning and asked himself, ‘How can I make the most personable and charming leading man of this generation dull and plodding? How long must I hold his charisma under the tepid water of … Continue reading →