Jeremy Smith

FOR NO GOOD REASON: PLAY IT NEVER AGAIN

Of all the seismic jolts to ripple through the foundation of American filmmaking in the 1970s, none left the landscape more ecstatically transformed than Harvey Keitel falling back onto his pillow as the syncopated drum intro of "Be My Baby" kicked up up on the soundtrack. This is the beginning of Martin Scorsese’s Mean Streets. … Continue reading

WARNER BROTHERS CONTINUES DC DEVELOPMENT SPREE

Let’s see… we have one successful (but not overwhelmingly so) franchise in Christopher Nolan’s Batman, a stalled franchise in Superman, a miscarried Wonder Woman, an alternate universe Justice League of America speeding toward production with George Miller at the helm, a JLA spin-off of The Flash (with the newly-attached David Dobkin directing), and, now, television … Continue reading

WONDER TERESA

Moviehole is reporting with great brio that George Miller’s Justice League of America has lassoed its Wonder Woman. And, as you can see, it’s not Mary Elizabeth Winstead. Blondie-to-your-right’s name is Teresa Palmer. If she looks familiar, that’s because you probably saw her in December Boys or The Grudge 2. I skipped both, so I … Continue reading

REVIEW: DAN IN REAL LIFE (JEREMY’S TAKE)

James L. Brooks didn’t invent the dramedy with Terms of Endearment, but it’s hard to imagine the seriocomic, quirk-laden likes of Steel Magnolias, Parenthood, Home for the Holidays, The Family Stone and, now, Dan in Real Life existing without it. These are films that aim for laughter through the tears. They want to broadly, but … Continue reading

MORE FUCKING UNDERWORLD!?!?

How did Underworld ever get popular enough to justify a non-direct-to-DVD prequel helmed by Patrick Tatopoulos, the guy who designed the worst-looking Godzilla of all time? And why are great actors like Bill Nighy and Michael Sheen sullying their filmographies with this crap while the franchise’s creator, Len Wiseman, has moved on to Gears of … Continue reading

TRAVOLTA TAKES PELHAM

At this point in his career, John Travolta is much more effective as a villain than as a bland everyman (or a woman under thirty pounds of latex). For whatever reason, he seems to have lost the ability to portray a normal human being. The last time I bought him in a conventional dramatic role … Continue reading

ANGELS & DEMONS & HANKS HAIR

The problem here is twofold: Ron Howard’s The Da Vinci Code made $758 million worldwide, and the book’s author, Dan Brown, wrote a prequel. There was no avoiding Angels & Demons. And with a strike looming, Sony had no choice but to speed this unwanted film into production, even though it might break what remains … Continue reading

MANN, DE NIRO CRANK UP THE MACHINE

Four months ago, it looked as though Don Winslow’s aging hitman saga, The Winter of Frankie Machine, was going to be the (potentially) perfect coda to the Martin Scorsese/Robert De Niro mobster trio of Mean Streets, Goodfellas and Casino. Alas, it didn’t work out. But, in a semi-inversion of what went down with The Aviator, … Continue reading