It’s no secret that CHUD has entered a new era.  We’re moving forward and growing by leaps and bounds and we’ve already started bringing you the awesome with more surprises in store.  But, while we’re all for celebrating the long life of the New Flesh, it never hurts to take a look back and celebrate the things we’ve done in the past.  Things like Lists.  They’re a tremendous part of CHUD’s identity and we’ve lost count of how many of you guys have cited them as the reason you got on board with us in the first place.  We’ve done a lot of them – some forgotten, some still mentioned in almost every forum discussion – all of them fun.  So we’re bringing them back.  And what better time than now that our first list under the new regime is well under-way?  So – every week we’ll publish a freshly-put-together index of every list we’ve ever done – our Remastered Special Editions, if you will.  Plus, we’ll have a few surprises along the way.  So, without further ado…




In One Ear and Out the Other:  The Best and Worst Voiceovers
Originally Posted in 2008
Featured Writers:  Nick Nunziata, Devin Faraci, Russ Fischer


“And God help you if you use voice-over in your work, my friends. God help you. That’s flaccid, sloppy writing. Any idiot can write a voice-over narration to explain the thoughts of a character.”

- Brian Cox as real guy Robert McKee in Adaptation

McKee’s statement is just as often wrong as it is right, and we aim to document both sides of that coin. Sure, when voice-over is used poorly it becomes a distraction or redundant, but when it’s used well it’s a complete joy, bringing you right inside a movie.

Over the course of this week we’re going to examine five of the best and five of the worst movie voice-overs. There may be a couple of obvious ones that we leave out so we can squeeze in a couple of under-appreciated gems or a few under-hated turds, but for the next five days you’ll be getting a guided tour of the highlights and lowlights of people speaking over the action in a movie.

Day One (Click to read!)
Choice Pullquote:  “I kept expecting Duke Leto’s pug to pipe in with his innermost (whispered) thoughts: ‘I want steak!’.” – Devin Faraci



Day Two
Choice Pullquote:  “Cusack sells tough material, making a character who is not exactly the sweetest man on the planet come off as someone we root for, and whether he’s having a meltdown in the back of his store or walking through town recounting the women that got away, it’s like being in the company of a best friend.” – Nick Nunziata



Day Three
Choice Pullquote:  “But the schism between Moore’s statements and footage, and between his intent and reality, takes this movie outside the realm of documentary. It’s an editorial, a half-invented one at that, and a film not to be trusted. Narration is the core of the disingenuous sales pitch.” – Russ Fischer



Day Four
Choice Pullquote:  “Hill is telling his story from the other side like Lester Burnham, but a very different other side. This time it’s the other side of the law; where Burnham is looking back on the lessons he learned from dying or whatever, Hill is trying to pretend like he learned some lessons, but the truth is that he really, really misses the good old days.” – Devin Faraci



Day Five
Choice Pullquote:  “It aids the tone, it’s entertaining, it fills the empty air, and in a film rife with questions and controversies it manages to help both arguments like some sort of bipolar accomplice.” – Nick Nunziata



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