We’re
entering a new age here at CHUD, with a refreshed stable of writers, a
re-energized concentration of efforts, and a focus on consistent,
knowledge-backed fun. To ring in this new era for the site we wanted to
bring you a truly special, truly memorable, truly incredible list that
characterizes what CHUD is about, and we think we’ve cooked up just the
thing.

BODILY FUNCTION JUNCTION
The 25 Grossest, Most Execrable Moments in Film.


We’re
here to explore the most depraved, flinch-worthy, vomit-inducing (or
vomit-involving) moments ever put to film. We’re not interested in
simple gore and viscera here… We’re looking for the shittiest,
pusiest, cummiest, pukeiest, piss-filled scenes in the history of
motion-pictures. Some will be huge, some will be small, but they’ll all
be gross. We’ve also put an unprecedented amount of effort into
pre-planning, scheduling, and dividing the effort for this list, so
expect it to hit you every one of the next 25 weekdays (with a number of
special surprises planned for the weekends!).

So
without further ado, grab your nearest complimentary airsick bag (or
maybe just a whole trashcan) and jump into CHUD’s newest list.

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DAY 8

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THE MOVIE?



Visitor Q (2001)


It was a bit tempting to fill this entire list with Takashi Miike’s filmmography, but we decided to pass. There are only room for 25 items, after all. But there’s one film of Miike’s that stands out among the rest- not because it’s so great (it’s not) but because its sole purpose is to make you uncomfortable. Enter Visitor Q, the film that starts off with a father having sex with his prostitute daughter (who charges him double for coming too fast) and only gets worse from there.

The Setup:
Visitor Q is a houseguest who comes to stay with a dysfunctional family (putting it MILDLY) after beating the father of the household over the head with a rock a few times. He witnesses the daily actions of the family- the incest, the beatings, and then gets involved. He shows the family all about love, first by grabbing the mother and squeezing her breasts until she climaxes in surprise.

This little bit of erotic lactation turns around her previously joy-free life completely. No longer does she walk around in a heroin-addled haze letting her son beat her mercilessly…. the next time he tries it again she throws a knife as his face as the rest of the family watches in approval. Later on when the visitor stops by to get some garbage bags from mom so he could properly dispose of a corpse (long story) the mom surprises him by entering the room in garbage bag regalia and attacking him with liters upon liters of breast milk.

 

THE GROSS?



WHO DOES IT COMES OUT OF?

It comes out of mom’s milk fountains.




WHERE DOES IT GO?



All the way across the room onto the mysterious visitor, who has to open an umbrella to protect himself from the lactation barrage. That which doesn’t spray across the room onto the visitor’s umbrella splashes down into a massive puddle of wasted baby food underneath her feet.

ANY CASUALTIES?
 

None- in fact, it’s the healing power of living white blood cells that eventually bring the family together, as they suckle at their momma’s teat. Everyone altogether now!
 



AWWWWWWWW!!


HOW GROSS IS IT:


It’s telling that in a film that features necrophilia, incest, domestic violence, drug use, premature ejaculation and rape (and frequently more than one at a time) it’s easily the most memorable moment.

Thanks for the mammaries, Miike.
 
Today’s installment was written by Alex Riviello.


Squirt all over the CHUD Message Boards


BONUS BOWEL-VOIDING NECROPHILIA!


Before he gets rid of the corpse of a coworker he killed, the father decides to have sex with her and is amazed that she’s getting wet, stunned at the mystery of life. Then he finds out what it really is.










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