Russ Fischer

FESTIVAL REVIEW: BLACK SHEEP

New Zealand Jonathan King   Someone had to finally force sheep buggery into a horror film, and it makes sense that a Kiwi would be the one to do it. With Black Sheep, Jonathan King has made a film so obviously indebted to Peter Jackson (Dead Alive in particular) that it can be difficult to … Continue reading

FESTIVAL REVIEW: SEVERANCE

UK Christopher Smith   In 2004 Christopher Smith’s debut Creep was a TIFF Midnight Madness pick I recommended, albeit with qualifications. For 2006 I’m happy to recommend his second feature, Severance, with no qualifications at all. People are calling it The Office meets Deliverance, which is as good a way as any to get asses … Continue reading

FESTIVAL REVIEW: THIS FILTHY WORLD

USA, Jeff Garlin You know — or should know — John Waters as the director of some of the dirtiest low-art movies ever made. If Pink Flamingos, Polyester and Female Trouble aren’t in your repertoire, it’s high time to update the Netflix queue. But Waters is also an able speaker; his lectures are more like … Continue reading

FESTIVAL REVIEW: THE HOST

South KoreaBong Joon-ho Monster movies get short critical shrift, especially when they’re massive blockbusters that run on CGI like a Dodge guzzling leaded gasoline. But when the same film has a strong family component and undercurrents of environmental and political awareness, people pay attention. Such is the case with The Host, which has broken records … Continue reading

FESTIVAL REVIEW: TAXIDERMIA

Hungary/Austria/FranceGyörgy Pálfi A few months back, I caught the trailer for Taxidermia and immediately had to see the film. A triptych of tales, the thin script follows a family born into poverty. The original patriarch is an orderly at a wartime orphanage; while lusting after the two deliciously teenage girls stationed within, he explores his … Continue reading

FESTIVAL REVIEW: EXILED

Hong Kong / ChinaJonnie To I probably say this every year, but I’d pretty much written off Hong Kong cinema a few years back. Then I saw Breaking News, Johnnie To’s ambitious flick about the interplay between criminals and the media. The movie didn’t deliver, exactly, but it got close, with enough going on to … Continue reading

FESTIVAL REVIEW: BRAND UPON THE BRAIN!

USA/CanadaGuy Maddin On my first trip to the Toronto Film Festival, I was thrilled to sit in the Elgin Theatre for the premiere of Guy Maddin’s The Saddest Music In The World. He’s entered a handful of short films into the fest in the years since, but no other features have been forthcoming. Brand Upon … Continue reading

FESTIVAL REVIEW: 2:37

AustraliaMurali K Thralluri While I was in Toronto a Montreal student opened fire in his university, proof that the pressures which created Columbine are everywhere. For much of 2:37, which follows troubled, seemingly normal high school kids for a day, it’s easy to infer that Columbine has come to Australia, too. The lives of these … Continue reading