Rank
|
Title
|
Weekend
Gross |
Cumulative
Gross |
Weeks in Release
|
1
|
$20,200,000
|
$20,200,000
|
1
|
|
2
|
$16,500,000
|
$71,900,000
|
3
|
|
3
|
The Constant Gardener |
$10,800,000
|
$12,600,000
|
1
|
4
|
Red Eye |
$9,300,000
|
$45,300,000
|
3
|
5
|
$7,900,000
|
$27,600,000
|
2
|
|
6
|
$6,400,000
|
$64,300,000
|
4
|
|
7
|
$5,700,000
|
$195,700,000
|
8
|
|
8
|
March of the Penguins |
$5,400,000
|
$63,400,000
|
11
|
9
|
The Skeleton Key |
$4,000,000
|
$43,800,000
|
4
|
10
|
The Cave |
$3,700,000
|
$11,700,000
|
2
|
The Fiennes/Weisz thriller The Constant Gardner (which had a 2-day head start) left the air antics of Red Eye at the jetway, but Wes Craven’s flick still has plenty of fuel in its tanks. The appropriately titled Nick Cannon comedy Underclassman, one of the last in the Great Miramax Purge, got left back in 11th with just $3 million. Which was still almost three times as much as the sci-fi cheesefest A Sound of Thunder way down in 17th. Ray Bradbury would surely be whirling in his casket, were he actually dead.