I blame Star Wars for a lot of things (including my severe inability to get laid in high school), but perhaps one of the most insidious impacts of that film was changing the face of science fiction for decades to come. Rarely again would scifi films be about ideas or big concepts; most of them would be about people shooting lasers that go ‘pew pew’ at each other. Explosions, guns, robots, chases, big budgets: for the next twenty or thirty years, that was the main face of science fiction at the movies.

To be fair that hasn’t really changed in the 21st century. What has changed, though, is that there’s a new vitality to smarter science fiction, some of it costing next to nothing. Advances in computer FX make it possible for indie filmmakers to realize visions that would have been impossible for them a decade ago. That’s what makes me psyched for new technology – it isn’t how a server farm can make a photoreal character for a 300 million dollar shoot em up but how a director in Mexico with no budget can suddenly create a vision of the future that’s credible, and do it on his home computer.

The following ten films are great science fiction movies of the 21st century. There were three criteria that had to be met for these films to be listed: they had to be smart and thoughtful, and they had to cost less than a hundred million dollars. And they had to be damned good. A couple of the films here get pretty close to that hundred million dollar blockbuster number, but that’s made up for by the films that cost a pittance.

Be warned: this is in no particular order!

Children of Men
2006
Directed by Alfonso Cuaron
Budget: $76,000,000
The CHUD Review

Watching Cuaron’s Children of Men was one of the most exhilarating theatrical experiences of my life. This dense, dystopian vision of a future where mankind has lost the ability to have children is completely immersive and, in 2006, felt very immediate. Cuaron used imagery from the War on Terror in ways that didn’t feel expoitative but commentative; as in all the best science fiction the film wasn’t just telling a story set in another time or place but commenting on the world in which we live.

But what was really exhilarating about Children of Men was Cuaron’s style. Creating incredibly long takes, Cuaron managed to insert us into the action scenes. In an age when hyperactive editing has ruined more than one action film’s coherence, Cuaron’s steady slowhanded work still feels fresh years later.

I walked out of Children of Men moved as a film lover and as a thinking person. The movie gave me so much to chew over, so many moments of truth and beauty and horror, all wrapped up in a thrilling, inventive package. In many ways Children of Men remains a cinematic highlight of the 21st century.

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Save the Green Planet!
2005
Directed by Jang Jun-Hwan
Budget: $3,000,000
The CHUD Review

What a bugfuck insane movie this is. South Korea seems to have been creating some of the craziest movies of the decade, and Save the Green Planet! may be one of the weirdest and the most underrated. A scifi gore comedy, the film will give you whiplash with its sudden tonal changes and its bizarre plot turns.

In many ways, Save the Green Planet! doesn’t belong on this list… or at least you might think that until you come to the totally nuts science fiction ending. You can spend half the film thinking that the movie’s psychotic hero, who believes aliens are infiltrating the Earth, is just another crazy person, especially when he kidnaps and tortures a high ranking executive. And then when it turns out that perhaps his beliefs come from delusions caused by a lifetime of turmoil at the hands of corporate types, the science fiction element almost disappears.

Until the aliens show up and reveal the secret history of humanity. You have to see it yourself to believe it. But amidst all the craziness and the wackiness, Save the Green Planet! ends up saying some sad things about the ways our lives are manhandled by the materialistic industrial world in which we live. And then it shows you a guy getting killed by a swarm of bees.

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Timecrimes
2007
Directed by Nacho Vigalando
Budget: $2,600,000
The CHUD Review

When you first start watching Timecrimes the film’s greatness isn’t apparent. It looks sort of like a sweet natured low budget Spanish film, but the movie’s a slow burn. As it goes on it becomes twistier and stranger, looping around again and again on itself, finally pulling back to reveal a tightly coiled story that will leave you blown away.

Like Primer (elsewhere on this list), Timecrimes realizes you don’t need to spend a lot of money to make a really interesting time travel movie. The fascinating elements of time travel aren’t visiting the distant past or the farflung future, they’re the way messing with the timeline impacts your own life.

When a regular schlub gets drawn out of his own back yard by a beautiful girl taking off her clothes he finds himself stumbling into a time machine and discovering just what a cruel bitch causality really is. What I love about Timecrimes is the way director Nacho Vigalando takes his film from something comedic and slowly morphs it into something really creepy and scary. There’s a character in the film wearing a pink gauze mask and wielding scissors; he’s as completely iconic as a scary figure as any of the famous slashers. And the script keeps one step ahead of the audience at all times, playing with our expectations in order to thwart them.

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Idiocracy
2006
Directed by Mike Judge
Budget: $3,000,000
The CHUD Review

Shit upon by Fox, unfinished, unloved by the masses, Idiocracy is one of the funniest movies I have seen in years. And one of the scariest.

I called the movie as a cult classic years ago, and I think I was pretty right – you can say ‘It’s what plants crave!’ and a very cool segment of the population will totally get your reference. But that was the positive forecast about Idiocracy. There was a negative forecast as well, and that’s also coming true: we’re starting to look at this movie as a documentary.

When a man of normal intelligence wakes up a thousand years in the future he finds that the decline of humanity has made him the smartest person alive. Mike Judge extrapolates from our current world to create one that is filled with idiots who can’t speak proper English and who spend their days watching people get kicked in  the balls on television, a world where Carl’s Jr’s catchphrase is ‘Fuck you, I’m eating!’ and where the most basic technology has broken down as everyone is too stupid to use it. Yes, he foresaw a world where Transformers: Revenge of the Fallen would be a huge hit.

Idiocracy is an angry movie, and if you’re still one of the few people left with a brain in their heads, it’ll make you angry as well. When you’re not laughing.

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Moon
2009
Directed by Duncan Jones
Budget: $5,000,000
The CHUD Review

Acting! Duncan Jones’ debut film all boils down to the performance of Sam Rockwell as Sam, a guy who is finishing up a lonely three year contract at a lunar mining base and who suspects things may not be right. Especially after he finds himself in a wrecked lunar vehicle, bleeding and barely alive. Rockwell spends almost the entire film on screen alone, playing off a robot voiced by Kevin Spacey or sometimes off only himself. Literally.

Jones’ film is already a classic; smart, intriguing, mysterious and beautiful, it’s a personal story with big implications, and that’s my favorite kind of science fiction tale. Jones has created a world that feels real and populated it with a man who feels real; we have the opportunity to feel the crushing loneliness that Sam must live with and we feel our heads spinning as he slowly begins making discoveries about just what is going on at that lunar mining base. Along the way Jones upends expectations and defies conventions. And he does it all on a tiny budget.

Moon is playing right now. If you haven’t seen it yet, I don’t know what you’re waiting for.

The DVD isn’t ready yet, but buy the soundtrack from CHUD!