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  #1  
Old 06-08-2008, 07:43 AM
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BLOG #1:

Funny Games & Funny Strangers, Part 1 :: Funny Games Vs. Funny Games

Shockingly enough, I talk about Funny Games.
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Old 06-08-2008, 12:25 PM
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I like the one-word movie reviews. What a delightful way to eschew bias and bring down the wrath of the 5 out of 5 I-Pods crowd.
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Old 06-08-2008, 01:11 PM
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Excellent stuff, Renn, and a fantastic last paragraph. Many kudos. Consider yourself blogrolled, sir.
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Old 06-08-2008, 02:12 PM
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Cool blog, Renn. I look forward to the next one.
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Old 06-08-2008, 05:57 PM
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I appreciate the words fellas! It's nice to get some encouragement right out of the gate. I don't know how good of an idea it was to make my first blog 1500 words about a fairly obscure and divisive set of horror movies, but I did want my first one to have some ass to it.
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Old 06-08-2008, 09:28 PM
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I love things with ass to it.
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Old 06-09-2008, 10:26 PM
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BLOG #2:

Funny Games & Funny Strangers, Part 2 :: The Strangers Vs. Funny Games

Not too long, and about The Strangers.
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Old 06-13-2008, 12:58 AM
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BLOG #3:

Long live the new flesh: Videodrome

A little look at the themes in Videodrome.
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Old 06-17-2008, 05:09 AM
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I didn't know Cemetery Man was acclaimed by anyone. I guess it didn't click with me either. And now thanks to your blog, I too feel like I must give it a second watch. And I'm not happy about that.
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Old 06-17-2008, 05:20 AM
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Quote:
Originally Posted by AtNines View Post
I didn't know Cemetery Man was acclaimed by anyone. I guess it didn't click with me either. And now thanks to your blog, I too feel like I must give it a second watch. And I'm not happy about that.
I understand the feeling. I'm not sure if I should just dive back in and rewatch it right away, or give it a while and come back to it. Oh well, there are more acclaimed movies to spend time on I think.

(Thanks for reading!)
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Old 06-17-2008, 05:21 AM
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BLOG #4:

Pixar Vs. Dreamworks

A quick look at the quality difference of the two studios.
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Old 06-17-2008, 03:48 PM
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BLOG #5:

When The Movie Doesn't Click -or- 'Cemetery Man' Is A Shitty Title


Ever seen a movie that just didn't click? Whether it was an obviously good movie you didn't think you quite understood, or a seemingly bad movie that you completely missed the point on? I have.
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Old 06-17-2008, 03:50 PM
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Cemetery Man has been one of my favs for years. I was planning on blogging about how underrated director Michelle Soavi is. Here's my DVD review if you're curious:
http://www.dvdactive.com/reviews/dvd...l-edition.html
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Old 06-17-2008, 04:05 PM
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Quote:
Originally Posted by Gabe Powers View Post
Cemetery Man has been one of my favs for years. I was planning on blogging about how underrated director Michelle Soavi is. Here's my DVD review if you're curious:
http://www.dvdactive.com/reviews/dvd...l-edition.html
Absolutely curious.

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Originally Posted by Gabe Powers
An audience that "gets" the film will almost undoubtedly love it. Sometimes fans will dismiss criticism of the films they love based on the idea that the deterring party simply didn't "get" the film. Sometimes this is true, but quite often it's just an excuse for conflicting tastes. I think that if you understand what Soavi and company were trying to achieve with this film, you will love it. This is not to say that those who don't "get it" are in any way inferior to those you do, but they are definitely missing out. Yeah, the abstract sensibilities may be a little heavy handed at times, but this only adds to the overall humour. I'm pretty sure no one involved in the making of the film took themselves entirely seriously, and it's OK to laugh at the film as well as with it.
Yeah, I flat fucking didn't get it. I'm workin' on that.
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Old 06-17-2008, 04:17 PM
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To elaborate on my already overlong review, I think that not getting it is the first step on the road to getting it, because the point of getting it is to accept not getting it, because there perhaps isn't anything to get in the first place.

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Old 06-17-2008, 04:26 PM
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Mind = blown.
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Old 06-17-2008, 06:34 PM
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Soavi is paying homage to a number of different concepts, while also making a comedy ("Did you hear that?" "It depends."), mostly about romance, and about the ennui apparent in Office Space. Killing zombies is just a job, but it's also this tragic thing that his is what the character has fallen into.

I love that the film starts with the closing image, such a brilliant example of hiding in plain sight, and just on a visual level, Soavi has few peers in this effort. I fell in love with this movie when Dellamorte's cigarette match became the fire engulfing the building. There's a number of moments like that, of brilliant set up (shooting off the wings for the fallen angle shot, for instance). As per the ending, I have my interpretation, but I think - as Hampton Fancher said about Blade Runner - The question is more interesting that the answer.
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Old 06-17-2008, 07:54 PM
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I can definitely see everything you're talking about, and a number of times I remarked about the craft to my friends. I love the flipping phone book pages.
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Old 06-17-2008, 07:58 PM
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Ok, I'm moving up production on my Soavi blog (family's in town this week, probably won't get it done 'til the weekend). I really think he stands to be one of the best filmmakers in the world, and after his Michael Mann influenced crime films I would love to see him handed a high profile comic book movie. I think he could strike that balance Ang Lee struggled with.
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Old 06-19-2008, 07:14 PM
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BLOG #6:

Screen on the Green: E.T.


E.T. at Screen on the Green in Atlanta, tonight.
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Old 06-19-2008, 11:14 PM
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Quote:
Originally Posted by Renn Brown View Post
BLOG #4:

Pixar Vs. Dreamworks

A quick look at the quality difference of the two studios.
I'll try figuring out what the difference between the two studios are! Ahem...

Basically, I think the phenomenal success of Shrek screwed them over big time (artistically, of course). Before Shrek, they tried to do the Pixar thing while trying to do the Disney thing. They took some risks in a relatively safe way (Exodous as a Broadway musical!?). They tried beating Pixar to the punch with a CG bug movie. Basically, it was an animation studio trying to find its footing in the long shadow of the Walt Disney Co (even as Disney was struggling with itself).

Shrek put them on easy street. They found something that completely worked and followed that business model to fatigue. This much is obvious to anyone who cares about this stuff. But the important part is that it created a wall. So no matter how hard the real artists at Dreamworks try, they could never approach the level of care evident with Pixar. Because the wall prevents them from having complete freedom the way Pixar does.

Andrew Stanton and Brad Bird both talked about the way Pixar works. It's a director-based studio. No spec scripts, no adaptations of previously available material. They create from scratch.

And Dreamworks? Shrek was based on a kid's book, though the final movie really had nothing to do with the book. I wonder why they even bothered? Antz sounds like it was an idea Katzenberg took with him to stick it to Eisner. Shark Tale? Madagascar? Please... Their only recent one that was pretty good was Over The Hedge which was also based on existing material. Other than that? Lots of Shrek sequels. That and a lame Jerry Seinfeld movie. Even Kung Fu Panda owes so much to the genre it's paying homage to. It could hardly be called original.

When Pixar makes a film, each respective director seems to truly CARE about the film. It's THEIR film. They're not making it because Katzenberg deemed it wise.

Kung Fu Panda was a step in the right direction only because it looked like they took the beating they received about Shrek's pop-culture humor to heart and finally made a film that could be watched at any given time. But even then, you can't say much for the story. Standard stuff tha twas handled pretty well. Sometimes VERY well. But definitely felt like it was on auto-pilot.

Pixar isn't flawless in this regard either. But where Dreamworks is now, is several years ago for Pixar. A Bug's Life is usually considered one of their lesser entries. But that was 1998. More recently, Cars. A very good film, I think. But one that definitely felt like it came from Dreamworks, from some of the casting to the useless Schwarzennegar reference (though I did laugh... and Arnold is pretty timeless at this point, eh? Eh?). But the two films surrounding Cars... The Incredibles and Ratatouille. Whatever sense of that Pixar 'inspiration' that was lacking in Cars is completely made up for with those two films.

It actually really creeps me out that DisneyPixar (I hate that name...) plans to make a Cars 2. I think it's a sign of some bad things to come. It felt like even those AT Pixar weren't all that invested in the first Cars. So why make another? It did gangbusters with the merchandising. Ratatouille may have been more respected and made more at the box-office, but it didn't nearly as many toys as Cars did. And if that's the reason Cars 2 is being made... shudder.

... I think I lost my train of thought with that one.

Wait! Got it.

Another aspect that makes Pixar rise up above the other animation studios is its willingness to tell very emotional and earnest stories. They're not afraid of sentimentality. Dreamworks and other studios will put in some obligatory scenes of emotion (gotta make'em laugh and cry!). But in their need to reign as the 'hip' animation studio, they botch it by generally punctuating such moments with sexy, snarky, slight levity.

Andrew Stanton just wants to be moved the way Spielberg moved him with Close Encounters. The way Darabont did with The Shawshank Redemption. Like Wall-E, they're not sexy but they get the job done. And he thinks that if you're not willing to be emotionally naked when telling a story, why tell it? Put yourself out there emotionally as an artist. Don't follow trends. Don't listen to the audience thinks it wants. Be an arbiter of taste.

And I heard Stanton say all this from a podcast run by an animator at Pixar. A guy who does it in what little spare time he has. And all these pros are openly willing to share their wisdom. I'm not certain, but I don't think Dreamworks has anything like that.

Apply this mindset to a studio that is constantly hiring the best and hardest working people in the industry. The people who work at Pixar NEVER stop. Their artists write comic books for themselves (which are published in a collection), animators teach classes through physical campuses as well as Animation Mentor. They're constantly learning in order to keep their skill up because they know that there are a lot of even more talented people waiting to take their jobs once they're out of CalArts.

It's pretty scary. And very inspiring. And I think it's what puts them above Dreamworks.
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Old 06-22-2008, 04:58 AM
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BLOG #7:

Shit I've Done #1


This is just a link to a short and amusing project I did my freshman year of college.
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Old 06-22-2008, 01:35 PM
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From blog 5 to blog 7 with nothing but a preview for a blog 6?! How dare you? Your loyal readership grows weary!
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Old 06-22-2008, 02:05 PM
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Pretty hilarious Gumby action. Good job.
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Old 06-22-2008, 06:21 PM
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Late on this one, but I'm glad I'm not the only chewer to like and appreciate The Strangers. I realize that I'm bringing some of my own baggage and expectations into the film, but it really worked for me overall. I can nitpick it all day long and point out the flaws, but it's strengths worked for me. In the end I feel horror is mainly a visceral experience and regardless of my personal additions, if it got under my skin on me, it got under my skin. The first half worked, the ending worked and the way the killers was handled REALLY worked. I'll forgive the final shot as a shout out and let it go.
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Old 06-23-2008, 02:08 AM
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Quote:
Originally Posted by mcnooj82 View Post
From blog 5 to blog 7 with nothing but a preview for a blog 6?! How dare you? Your loyal readership grows weary!
That night ended up dud'ing out so we saw Zohan instead. I'll probably update the thing and link to it in the next blog.

I have readers! I'm tickled pink!

FUCKING PINK.

Quote:
Originally Posted by Sam Strange
Pretty hilarious Gumby action. Good job.
Thanks! I really enjoyed putting that one together (that was a while ago though).

Quote:
Originally Posted by Sacrilicious Supersucker
Late on this one, but I'm glad I'm not the only chewer to like and appreciate The Strangers. I realize that I'm bringing some of my own baggage and expectations into the film, but it really worked for me overall. I can nitpick it all day long and point out the flaws, but it's strengths worked for me. In the end I feel horror is mainly a visceral experience and regardless of my personal additions, if it got under my skin on me, it got under my skin. The first half worked, the ending worked and the way the killers was handled REALLY worked. I'll forgive the final shot as a shout out and let it go.
Well spoken. My friends liked it alright, but I was the only one who seemed to have any passion for it. Like you, I just really dug this movie on a gut level. It's nice that it's got at least an attempt at enough levels to make for some interesting discussion too.
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Old 06-25-2008, 05:15 PM
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BLOG #8:

The Fall & Mongol


I saw a bunch of movies all at once. Here's my thoughts on the first two.
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Old 06-25-2008, 05:25 PM
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I love the Soul Melies poster.
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Old 06-25-2008, 07:39 PM
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Quote:
Originally Posted by Sacrilicious Supersucker View Post
Late on this one, but I'm glad I'm not the only chewer to like and appreciate The Strangers. I realize that I'm bringing some of my own baggage and expectations into the film, but it really worked for me overall. I can nitpick it all day long and point out the flaws, but it's strengths worked for me. In the end I feel horror is mainly a visceral experience and regardless of my personal additions, if it got under my skin on me, it got under my skin. The first half worked, the ending worked and the way the killers was handled REALLY worked. I'll forgive the final shot as a shout out and let it go.


I totally agree. And digging the blog Renn. Keep it up.
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Old 06-25-2008, 08:57 PM
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Quote:
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I totally agree. And digging the blog Renn. Keep it up.
Thanks a'million!
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Old 06-27-2008, 09:02 AM
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BLOG #9:

Hearts Of Darkness: A Filmmaker's Apocalypse

Mini-review of this great documentary.
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Old 06-27-2008, 10:04 AM
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I saw Hearts of Darkness years ago on VHS. The only thing I still remember is Martin Sheen's freakout. If I remember correctly, Sheen was upset because he was reading the book, Heart of Darkness by Joseph Conrad, and he got impatient with all the boat details.

So you just saw it. Did I remember that right?
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Old 06-27-2008, 01:00 PM
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I have heard of the situation you're refering to, but they didn't mention anything about that specifically (unless I just flat missed it). Marty was actually in it very little. They focused on his scene in the hotel, and his heart attack - but all seen from the perspective of how it hindered Coppola.
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Old 06-27-2008, 01:10 PM
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I'm talking about the hotel scene. Just kidding about the book part.
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Old 06-27-2008, 01:39 PM
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Yep, yep. That's definitely in there, and a fucking awesome part to boot.
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Old 06-30-2008, 03:17 AM
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BLOG #10:

Don't Read This Blog, Read THIS Blog

In which I pimp another person's fucking blog!
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Old 07-02-2008, 02:06 PM
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BLOG #11:

A WALL-E Photo-Journal

A bunch of pictures from my adventure to AMC to see WALL-E.
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Old 07-03-2008, 04:25 AM
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Well, the message board links for each article should work now.
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Old 07-03-2008, 04:51 AM
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Great pictures, Renn. Love the good 'ol middle finger "fuck you" to all the shitty flicks. That Pineapple Express standee looks great, but the Tropical Thunder one looks magnificent.
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Old 07-03-2008, 04:52 AM
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I suppose it's pretentious or whatever, but fuck 'em.

EDIT: Especially the dogs.
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Old 07-03-2008, 05:19 AM
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Yeah, I wouldn't doubt it if some of those "kiddee" flicks turn out to have a few genuine laughs in them, but I don't really see them, so I wouldn't know. Looking forward to seeing Wall-E though. Haven't felt like that in a long time for a cartoon.
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Old 07-03-2008, 05:35 AM
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Well if it gives you any idea how much I liked it, I just bought this.
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Old 07-08-2008, 12:43 PM
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BLOG #12:

Salo -or- The 120 Days of Sodom

Not a review, but an impression of Salo.
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Old 07-08-2008, 08:24 PM
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Great one today, Renn. Really well written.
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Old 07-08-2008, 11:58 PM
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Quote:
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Great one today, Renn. Really well written.
Thanks Sam! That means a lot from one with such consistently good output.
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Old 07-10-2008, 05:29 AM
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Animated-News linked to your blog about Pixar/Dreamworks...you're famous!

Which reminds me...when are you going to submit another piece to the newsletter? Or are you too big now?
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Old 07-10-2008, 05:59 AM
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Quote:
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Animated-News linked to your blog about Pixar/Dreamworks...you're famous!

Which reminds me...when are you going to submit another piece to the newsletter? Or are you too big now?
Well I'll be damned. How cool is that? Thanks!

I'll cook something up for the newsletter sometime soon, promise!
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Old 07-10-2008, 06:10 AM
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Great blog as always Renn. I'll have to check out the Criterion when it's re-released.

Wow Renn, you've been referenced elsewhere. Congrats!
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Old 07-10-2008, 02:41 PM
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Quote:
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Animated-News linked to your blog about Pixar/Dreamworks...you're famous!

Which reminds me...when are you going to submit another piece to the newsletter? Or are you too big now?
It's time to cash out! Success is a foregone conclusion!!!!
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Old 07-17-2008, 08:21 AM
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Went on a little de facto hiatus there. Didn't intend to, but all my writing was being focused on a script. I won't put notices of them in here from now on, but I wanted to post that I'm starting a sister blog with a more focused topic of impressions from classic movies. Sort of my own version of the "Late to the Party" pieces that used to run on the front page.

It's About Fuckin' Time #1... Ben-Hur
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