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Rath/Brendan
07-19-2002, 04:26 PM
Since our wonderful headmaster doesn't seem to accept poetry as a valid form of expression, post your poems and song lyrics and whatever here. I've got a bunch of poems I would like to share, so please let me know what you think :D

“Writing, or, A Game of Hearts”

A poker table,
A barroom nightclub,
Etched in shades of grey and brown.
Fine newspaper shadows
Lie printed on concrete blocks
Sponges masquerading as brain cells.

Five chairs sit
Laughter, curses fill the smoky haze
Even though no one smokes
Light dust tinged with stale beer’s smell
Even though nobody drinks.

The games is Hearts, and
Stephen deals the cards.

Plastic kings twirling like saucers
Hurled by a rough hand whose
Tough fingers danced
Upon keys and candlelit pencils, whose
Hard grip stirred
Castle rocks and dreamcatchers, whose
Main palm carried mice
Down prison miles and
Up dark towers, whose
Carved fingers toss
The last card.

With the dealing done, and,
The youngest first,
Neil plays his cards

Blue shadows spill over
Darkening clubs and diamonds, as
British tips, stained with
Printer’s ink and dark mud
Found in London’s below, while
A highway’s smell clings to boots,
Odin’s talisman hanging.

The suit is clubs, and
Play moves left,
To Harlan

“Tick tock,” says the watchman
As cranky fingers look at soldiers,
Onyx eyes staring,
Driving in spikes,
That thick red moment found
In galaxies and Bradbury-tinged
Hometown fantasies.

Harlan leaves two spades, and
James must follow.

Heart’s hit men look back at
Spectacled spheres with a
Reckless versmilitude found
In cold six thousand
L.A. streets and Vegas clubs,
Flying cards scrawling
An American tabloid of
Black dahlias and Brown requiems.

Stephen moves to play, and
A knock from the door.

I enter.

My trembling notes flash yellow,
A nervous pencil asking,
Slipper’s feet smash, tripping,
Blue lines and dandelion rectangles
Floating through a lightbulb clone

I reach for my notes, but,
They are reading them.

Eight ellipses criticize pages until satisfaction,
Thin smiles creeping, considering
The stories and themes printed there.
I shake my own, anticipating
A well-earned rejection.

Stephen puts down his pages, and
Turns to me

“Have a seat,” they say.

Capt. Eucalyptus
07-19-2002, 05:02 PM
Lines

Got no lines on my mirror
Got no tracks on my arm
The drug that is grievin’ my does twelve times the harm

I’ve got bugs in my brain
Things runnin’ in my mind
Images that craze me and I can’t leave behind

Visions of sex and violence
Plaguing my heart and soul
Lord I give these up to you ‘cause I have no control

God, you are my Lord and Master
And you have all the power.
You bring rain on us all
Wash my lines away this hour

I run around in circles
Mind racing away like mad
Thinking about all the things that I wish I had

I crave the things that all men do
Money, women, power, control
If one day I could have all this I’d be tempted to sell my soul

I feel these marks upon my spirit
The scars of pain in my life
I grow angry, I hurt, I’m tired, I’m under the strain of this strife

God, you are my Lord and Master
And you have all the power.
You let it rain on us all, I pray
Wash my lines away this hour

You gave us your Son
He shines through the rain
You gave us the rainbow
To let us know you’d wash away our pain.

Rath/Brendan
07-19-2002, 06:45 PM
“Cylinders”
Inspired by “Ars Poetica” by Archibald MacLeach)

A film should be POWERFUL and MOVING
As a prophet leading his people.

THRILLING!
As a couple’s walk in Central Park, the Parthenon at sunrise

EXCITING!
As a car flying over streets, diving down hills
Or under the belly of trains

A film should be SHOCKING
As a man eating his own vomit.

A film should remain forever young
As the buisness evolves

REELING while the young discover
A forgotten scrapbook that tells their story

TEACHING, as newspapers turn gold and textbooks fade
Mistake through mistake that should never be made again-

A film should be FRIGHTENING
As a shower of birds or tattooed knuckles

A film should measure up to:
Our imaginations.

For all the history of VIOLENCE
An assassin’s thunderstorm and a man sleeping in a sanguine puddle

For SEX
An illicit kiss and two bodies wound together

But first, a film must be
Art.

Rath/Brendan
07-19-2002, 06:46 PM
“Jazz (A Total Convert)”

The saxophone’s lilt wails,
Streaking like sunbeans
Across, an’ through,
A thick haze, cancerous yet comforting
Covering this tiny Chicago club
While on the stage,
Sidney Bechet plays.

From roots seeded
In New Orleans dives,
The best chance
For a young man to make it out
A trumpet blares, Dolly’s greeting,
The trees green, a smile cast upon skies of blue
End of story, Miss red rose,
While on the screen,
Louis Armstrong riffs along.

Soldiers!
Bring your best gal
To dance the war away at th’ U.S.O.
It’s time to twirl, twist, swing,
And sing, sing, sing
Left to right, counterclockwise,
You’re in the mood now, honey,
Now back into
Your fella’s arms, hold ‘im tight,
He’ll be gone come morn,
Off the next bullet towards Hitler
While on the platform,
Benny Goodman conducts,
And flows along with his dark clarinet.

Harlem wakes
To the sound of Renaissance
Poets and painters, prophets
Taking the “A” train
To a lush life, uptown
As the whites come here
To that new “jungle music”, downtown
Echoing across this mixed bowl of cotton
While on the stage,
Duke Ellington leads, and
Billy Strayhorn watches.

Coffee smells
A new beginning
In the shops of New York
A generation’s best minds,
Destroyed by madness,
War injuries lashing thighs,
Injustices binding minds,
It’s time to take five
And do something.
Let’s write!
While on the radio,
The Dave Brubeck Quartet sooths,
Yet stirs a dawning,
Brand-new,
Availible only in stores,
Buy one, get one free,
Revolution.

In a studio, littered
With flamenco sketches,
Miles traveled across a broken landscape, which was
Kind of blue, smashed by a cannonball
A pretty type of shattered glass,
In a cool, smooth train-
A Coltrane-
Time out, man, it’s time to im-pro-vise,
Put that coke away, clean off those needles
It’s time to make magic
While through the headphones,
Miles Davis jams.

It started silently, creeping up
Smoothing the open space clean
With Sidney and Indy
Then moved onward, mixing forward,
With a raspy tape called Louis
Smiling from the television now
Still moving, now,
Time to swing,
Meet Benny Goodman, he’ll introduce you
To his friend Strayhorn
There’s the Duke-a silent master, his hand on Billy’s shoulder
Take his hand, trust Mr. Duke, slide down with him
Into a coffee-shop, in the city that don’t sleep
Now take five again with Dave and three pals
Who give you a CD

You find in waking hours
Checked out,
In your hands,
In your player,
Let’s roll, Miles, says Coltrane, and
That is the moment
You become a complete and total convert
To the music they call
“Ragtime”
“Big Band”
“Swing”
“Bebop”
“Bop”
“Improv”
“Fusion”
Many more, but a music that you call

Jazz.

Avalon
07-19-2002, 08:22 PM
Nice work, people. I may add some of my own over time.

Rath, that was great. I happened to be in a great little jazz club on the northside last night. I didn't get out of there until 1:00 a.m. (had to work today), but it was worth it. I managed to get myself a couple of autographs from some of the heavyweights of the genre, including Steve Rodby's. You're a jazz fan, I take it? :cool:

voltes5
07-19-2002, 11:30 PM
To Her Breasts
dedicated to the supposedly "most hated" CHUD member of them all

Hellish swarms of
Ennerving visions,
Robbing the eyes
Behind the darkness and celluloid,
Rallying the call of
Explicit fantasy
Astute and
Stern she waits
Tomorrow they
Sag
And then
Remotely
Erect
A
L
L
Depending on one's
Reality and complacent
Intelligence
Energized, but
Deadened --
Universally
Patronized