PROJECT 880: THE AVATAR THAT ALMOST WAS
- By Devin Faraci
- Published 12/27/2009
- News
I hope you find comparisons of different phases of a movie's life as interesting as I do; I'd like to do more articles like this in the future, tracking the changes that have been made on long-in-development projects.
In the meantime, if you're sick of reading about Avatar or any of my thoughts on Avatar, please feel free to skip this article. Comments complaining about another Avatar article will be immediately deleted.
In the meantime, if you're sick of reading about Avatar or any of my thoughts on Avatar, please feel free to skip this article. Comments complaining about another Avatar article will be immediately deleted.
For those who don't want to read this all, some bullet points. Read the entire piece for in-depth description and analysis, but these bullet points are the main, stark differences between Project 880 and Avatar:
- Earth and its environmental problems are explored
- Earth and its environmental problems are explored
- We see Josh Sully's Avatar being born
- It's revealed the Avatar program exists to train Na'vi to be an indigenous workforce for the Corporation, since it's so expensive to send human workers
- There are more humans, including a bioethics officer on the take, a video journalist, a head of the Avatar program and a second military dickwad
- There is an Avatar controller who is burnt out because his Avatar died with him in it. He committed Avatar suicide because he had fallen in love with a Na'vi girl who had been killed by the military
- The Avatars have a Na'vi guide named N'Deh, who is sleeping with Grace
- Grace survives the soul transfer
- Josh Sully gains the Na'vi trust by being a member of the community. He also excels in a major hunt
- Josh Sully shows his leadership not by taming a dragon but by leading a raid on Hell's Gate to rescue prisoners
- Josh Sully isn't the only Na'vi to ride a big dragon
- Pandora is a living entity and it sees the humans as a virus; it has been mobilizing the plants and animals to attack all along because it wanted to force the humans out
- There is no unobtainium beneath Hometree. The military just wants to wipe out the local Na'vi to send a message to all the tribes that they must be obeyed.
- Some of the humans and the Avatar controllers rise up in the final big battle
- Josh Sully tells the Earth that Pandora will give any humans that return a disease that will wipe out humanity
The differences between the scriptment (which I'll call Project 880 from here on in) and the finished film are immediate from the first page. In Avatar Cameron feels like he is rushing to get to the Na'vi, and we begin the movie off Earth. Project 880 spends time establishing Earth and the life of wheel-chair riding ex-Marine Josh Sully (there are a number of character name changes between 880 and Avatar); the opening page of 880 presents a very Blade Runner dystopia - rainy and gray and filthy and high tech. The people are miserable and stink because of water shortages. The entire surface of the Earth is essentially industrialized, and there are even cities spread out across the Moon. There are no longer national parks, and Yosemite is pointed out as a posh condo community. Josh lives in a megalopolis that takes up the entire Eastern seaboard of the United States, and his cramped, prison-like apartment is located where North Carolina is today.
This is the Earth of 100 years from now, and Project 880 takes its time setting this world up. Earth isn't just polluted (with filth as well as waste from nuclear terrorism) and ugly, it's literally doomed; extinctions have destroyed the planet's biodiversity and its entire ecosystem has collapsed. Humans scrape by because they can turn sea algea into food, and most waterfront property has been turned into manufacturing for the protein farms. This is an Earth where the people aren't just urban, they've completely and utterly lost touch with anything green. Keep this in mind, because this is one of the guiding elements of what makes Josh fall in love with Pandora.
Josh's cramped apartment has a huge TV screen that takes up an entire wall. It's on this TV that we learn about the state of the environment in the wake of a news report about the death of the last lion outside of captivity. Then Josh watches a report on a massive fire on the Boston subway that asphyxiated one hundred commuters; soon we'll learn one of those commuters was his twin brother.
In Avatar Jake's twin brother was killed for 'the paper in his pocket' - a robbery. It's an interesting change, probably made because it's easier to get across to the audience in a quick voice over. In Project 880 the Boston fire is a not uncommon event, and it's an illustration of the world that is quickly going to shit in every conceivable way. Project 880 has Josh attending his brother's cremation - Tommy is cremated in a cheap cardboard box in a non-descript municipal building with no ceremony, really hammering home the ugly hopelessness of Earth - and we see him sitting down to dinner with two agents of RDA, the Resources Development Alliance. In Avatar we see them come to Jake in flashback, here we see their whole spiel, a spiel that really explains why Pandora is important.
Everybody on Earth knows Pandora - it's been big news for years now. What these guys tell Josh that's really interesting (and answers a huge number of questions from Avatar) is that RDA is chartered by the ICA - Interplanetary Commerce Administration - the future Earth trade regulating body. This charter allows RDA to exploit any moon, planet, etc they want, but they must follow strict rules, chief among which is they are allowed a limited military presence and no weapons of mass destruction.
There's more. As in Avatar they want Josh because his brother has a Na'vi composite clone growing in a tank, to be used in the Avatar program. In Project 880 it's explained that this is a particularly big deal because only one in a hundred human/Na'vi composites actually take, making the Tommy Sully Avatar growing in a tank a very rare and very valuable thing indeed. And there's more: the avatar program in Project 880 isn't just a meet and greet program. Because interstellar travel takes massive amounts of energy - it essentially costs one million dollars for every pound of matter flown to Pandora - RDA is hoping to train the Na'vi as an indigenous workforce, saving them money on ferrying people back and forth. They want the Na'vi to work in Pandoran refineries - it's cheaper to refine the metals they mine on site, making them weigh less, before shipping them back home.
That's a pretty huge wrinkle to the Avatar program in general, and it makes the reasoning for spending so much money on it clearer. In Avatar it feels like a PR stunt, which is especially weird as there's no PR entity involved. In Project 880 the billions spent on Avatars means saving trillions on workers.
Another major difference: nobody promises to give Josh his legs back. In Project 880 the Avatar program itself is the way Josh gets his legs back, by being in a walking Avatar body. There's no promise of future reward for Josh, the program is the reward itself. This is one of the few places where Project 880 doesn't feel like an improvement on Avatar; while 880 really sets up why Earth needs Pandora, and why Josh would be happy to get offworld, it doesn't offer Josh a reason to ever stop being an Avatar.
And so Josh is off to Pandora. All of this is stuff that happens before the first frame of the movie Avatar. But there's still more that's different before Josh gets to Pandora. Coming out of hibernation, Josh is brought in to see the birthing of his Avatar body. It's an intriguing scene because the Avatar is shown to be alive on its own without having its controller plugged in. We're told that the newborn Avatars react better when seeing their controller in the room (the Avatar and controller have spent the entire trip linked psionically; Cameron describes it as formatting a hard drive). If the Avatar is a separate being, is it right for Sully to impose his will on it - a question that mirrors the larger question of whether humans should be imposing their will on Pandora. It's complex and intriguing, and the birth scene would have made good cinema. It also would have had Sully touching his Avatar, something that I do not believe he ever does in the film (I may miss some details about what's missing from the film; I've only seen it once. Corrections will be made to the text when pointed out).
Cameron fills the approach to Pandora with tons of jargon and science fact; I'm not sure how much any of it would have made it in any version of this movie, but there are a lot of interesting facts presented, including a description of just why those floating mountains float. It's actually a description that would have been welcome in the film, as it ties into unobtainium. In the script it's mentioned that unobtainium was the joke name for the metal, which happened to stick; unobtainium is a room-temperature super-conductor, pretty much the only reason the expense of a Pandora trip is worthwhile. It's also what makes up much of the floating mountains; Pandora, while as big as a planet, is a moon of Polyphemis, a huge gas giant with a super magnetic field. The unobtanium levitates in a high magnetic field (Cameron really explains all the science in the scriptment), and thus the mountains. Which, by the way, are very holy to Na'vi.
On Pandora Josh meets a group that is quite different from who Jake meets in Avatar. But first he discovers how deadly Pandora is - as he is disembarking from the shuttle there's a shriek from the jungle and giant sentry guns spray fire into the darkness. Immediately we see that Hell's Gate is a place that is under constant siege.
At the base Selfridge greets the newbies and gives them the speech that Quaritch gives in the film. He also drops some heavy info - no one gets colds on Pandora. See, the planet's thick biosphere has managed to create antiviruses for every single virus the humans bring with them. RDA is actually bringing those antiviruses back to Earth and curing the common cold. It's an example of the depths of what Pandora can offer - a heavy handed example, as it's a scifi version of the old trope 'the rain forest you're burning may contain the cure for cancer,' but a cool one.
Selfridge next introduces everybody to Parrish, the bioethics officer from ICA. He's there to make sure that RDA is following all the rules, and he's heavily on the take. It's a more nuanced view of how this stuff works; RDA games the system in Project 880, as opposed to being just monolithically evil in Avatar. This is how it happens in the real world, too.
The next new character is Marcia de los Santos, a videographer who sends home footage for advertising and PR.
Next is Giese, the head of the Avatar program. This is not the Sigourney Weaver character from Avatar, but rather a new character and her superior.
Finally Josh meets Quaritch, and right from the start doesn't like him. Quaritch seems impressed with Josh's disability, so Josh tells him he got injured drunkenly falling out a window at a base party. Quaritch doesn't like the attitude.
Josh's meeting with Grace, the Weaver character, is more or less the same (with the cigarettes and everything); his first Avatar link experience involves him first meeting a couple of Pandoran creatures that are set up in a small zoo on the base. Among these are weird fish that I can't recall from Avatar.
The next big change is the first Avatar link. In the film Jake wakes up in his Avatar body, has no trouble adjusting and then disobeys every single order given to him and runs around in the wild. In Project 880 it's nothing like that. Josh can barely stand, and his motor skills are weak. But when he gets on his feet and begins walking he has a very different reaction than Jake Sully - he cries.
It's a great moment, a truly beautiful little character moment. Jake Sully acted like a kid who had finally been let out of a car after a long ride; Josh acts like someone who never thought they would walk again.
In Project 880 the strange hotness of Grace's Avatar doesn't go unnoted - 'Ain't I a babe?' she says when Josh first sees her.
Project 880 then has a long montage of the weeks of training Josh undergoes to learn to control his Avatar (including basketball, as seen in the film). Meanwhile, Quaritch is telling Selfridge that attacks are getting worse; he's lost twice as many men as he did last year, and he's already blown through his ammo budget. Selfridge tells Quaritch to cut a newer, bigger safety perimeter around Hell's Gate.
In Avatar we are told how deadly Pandora is. In Project 880 we are shown it. Quaritch, outfitted in a power suit, walks with the huge machines that clearcut trees around Hell's Gate. He sees the forms of Na'vi in the woods, and fires on them. Stingbats attack him and he splatters them. Then nettle plants shoot little needles at him. We see the planet attacking the humans, and we see Quaritch having a good time killing the planet.
The controllers are presented as sort of MMORPG players - kind of smelly, pale, only interested in being plugged in to the computers. They all eat together in the mess hall, and they're served by a guy who seems like a drug addict. But it turns out his story is crazier, and the fact that he was left out of Avatar mystifies me.
The guy is Hegner, and he used to be a controller - until his Avatar body was killed by a Slinth (a creature I don't believe is in the final movie). And not just killed - eaten alive. The shock of experiencing his own death and then the withdrawl from his Avatar has left Hegner a shell. And it gets better; later in the film it's revealed that Hegner committed Avatar suicice because he had fallen in love with a Na'vi girl and married her - and she was killed in an incident where five Na'vi were shot by human soldiers. This incident caused the rift between Na'vi and humans, and is the reason why the Avatars are no longer working with the Na'vi.
Hegner's story is the dark counterpoint to Josh/Jake's, and it's integral, if only because it shows us what happens when an Avatar dies. In Avatar it's vague, and then at the end is shown to be sort of no big deal; with Hegner we see that it's a major issue and is about more than inconvenience. Hegner's failed romance also reflects Sully's coming romance, and it establishes the idea that 'going native' is actually an issue, not something that begins with this crippled guy.
When Josh makes his first trip into the brush of Pandora he has a very different reaction than Jake - Josh has never seen a forest. Ever. He's actually kind of scared of it, and he doesn't know how to deal with it. Grace has to lead him through it all, showing him what he can and can't touch. In Project 880 the Avatars can see into the ultraviolet spectrum, and the fauna looks very different to them. It's hinted that there are POV shots.
Josh's first trip into the wilds of Pandora does not end with him being separated from the others, and his first Na'vi is not the one he falls in love with. The Avatars have a Na'vi guide, named N'Deh, and this is the first Na'vi Sully gets to know. This makes it seem less like he falls in love with the first alien he encounters. While his first trip isn't a disaster, there's a big problem - the human security detail decides to kill three direhorses while waiting for the research team. N'Deh is heartbroken, while Grace is furious. The human security guy is about to shoot Grace in the head when Josh throws him twenty feet, breaking his arm.
This leads to an interesting philosophical point back at base: no court would convict that guy of killing a cloned biological construct. It's another moment where the super-otherness of the Avatars is highlighted. But while the philosophy is interesting, it all leads to a very concrete situation: Geise wants them out of Hell's Gate. He sends Grace and the rest of her Avatar team to a remote site to work.
In Project 880 the remote site is there because the flying mountains screw up the psionic link with the Avatars, so they need a stronger signal closer to the mountains. Grace and the team head to the mountains to do some research and it's here that Josh gets separated from the crew.
While Avatar has Jake running from a couple of monsters, Project 880 is way more involved. First, Josh is snatched by a Medusa, a huge flying jellyfish, which takes him off the floating mountain on which the team is working. As Josh tries to get free the team follows in their chopper, which gets crashed by a leonoptyrx (the huge dragon that Jake rides at the end of the movie). Josh kills the Medusa, but ends up in a tree made of snake heads. Then he ends up meeting the animals that Jake meets in Avatar, but he has less of a chase with the Manticore (that's 880's version of the Thanator).
Interestingly, the creatures in Project 880 act more like real animals than the ones in Avatar. The Manticore doesn't really care about Josh - it's just attacking the big rhino monster he was staring down (much as Jake stares one down in Avatar). And the Medusa gets killed largely because bansheerays attack it, drawn by blood from Josh hacking at its tentacles.
While all of this is happening, a Na'vi is watching Josh. As night falls and Pandora becomes bioluminescent, Josh finds himself surrounded by viperwolves. He doesn't make a torch, though, which makes sense as how would an ultra-city boy ever think to make a torch? He fights off the viperwolves best he can and is rescued by Zuleika, Project 880's Neytiri. Except in Project 880 she doesn't save Josh because a puff fell on her arrow - she does it because she likes his bravery.
Josh follows her into the forest; much of this is the same as Avatar, except with many, many animals along the way. There are dozens more species in Project 880, some of which are truly weird. The slinger throws its head at enemies; the head is actually its young - it's complicated and very bizarre. Then there are Moonwraiths, odd insects that swarm together to look like a bansheeray.
As in Avatar Josh does eventually get covered in puffballs, which gives Zuleika, who has a crush on him, an excuse to bring him to the village. And Grace and the team are already in the village. This is a major departure from Avatar, obviously.
The head of the clan decide to keep Josh around, and they want Zuleika to train him as a Na'vi - for reasons that seem sort of dilettantish, saying they want to see if it's possible. There's a montage, much like the one in Avatar, but interestingly the Project 880 montage has much more of Josh involved in the Na'vi community life, to the point of having a scene where he is teaching Na'vi kids how to play baseball. The differences in the hunting and such seem to come down to Project 880's Pandora having a much, much wider biodiversity than Avatar's, but otherwise it's all similar montages.
After taming his bansheeray, Josh engages in a massive hunt with the Na'vi, which is being filmed by de los Santos, and in which he is incredible. Everybody is very impressed with Josh's feats, except the rival guy in the tribe (the same dude as in Avatar). Back at the Hometree there's a big dance; we see that the Na'vi use the bioluminescent spots on their body to tell stories and express emotion. We also see that Grace is actually schtupping N'Deh.
It turns out that Grace is very close to the Na'vi, but Josh has gotten closer. It's explained that because she's a scientist Grace can't quite throw herself into the animistic world of the Na'vi, but Josh has no compunction - he has come to them like a baby, totally unfamiliar with nature, and has learned to see it through their eyes (a huge thematic element in both 880 and Avatar, but much more clear in 880).
Much of what comes next in Project 880 is the same as in Avatar: Josh and Zuleika go off and do it, and are woken up by the machinery crashing through the jungle. In Project 880 Josh has never worked for Quiritch, though, and Grace tries to stop the machines by calling Parrish, but he's so in the bag to RDA that he can't help at all. Josh tells the Na'vi what the humans are up to, everybody is mad at him. As he fights the alpha male guy, the soldiers pull Josh out of his Avatar link.
The Avatar program is shut down. Giese explains that the real treasure on Pandora is the biodiversity and that the world holds more secrets. How did it wipe out the cold? How do the Na'vi communicate long distances? If RDA fucks this one tribe, the other tribes will know.
Selfridge doesn't care. He thinks Avatar is a failure, and they'll never get the Na'vi to work for them. Instead he'll breed his own slave Na'vi race from the Avatar bodies. Everybody is being sent home.
In the forest we see that the humans are cutting a firebreak. They set a huge chunk of the forest ablaze.
Josh runs to the controller room and delivers an impassioned speech telling the other controllers that Pandora is Eden, not hell. That the Na'vi are being fucked and only the controllers can really understand. They won't rise up, though - the pay is too good.
That night a Na'vi raiding party attacks Hell's Gate and destroys machinery. That gives Quaritch the excuse he needs and he launches an attack on Hometree. In Avatar they want Hometree because of the unobtanium beneath it; in Project 880 it's all in the mountains. In 880 Quaritch wants to send a message to all the Na'vi on Pandora by wiping out this tribe - this is the shock and awe campaign he's talking about in Avatar, and the night raid was the terror he says must be met with terror. Those lines are obvious holdovers from the Project 880 script.
de los Santos tells Josh the attack is happening. He and Grace hijack the controller room (Josh breaks a soldier's nose) and de los Santos keeps guard as they jack in. Much of what happens here is the same as the movie, except with more mech suit action. Also, Zuleika is captured by the humans.
Eventually the soldiers get into the controller room, and there's a small fight and Josh and Grace and de los Santos are put in jail. It's Hegner who breaks them out, though, and he's the one who stays behind as Josh's man on the inside.
Parrish flips out that RDA is burning the forest, but he's threatened into silence.
Grace is mortally wounded, she dies in the Well of Souls. N'Deh takes her Avatar body away to keep it alive.
Josh has a plan to free Zuleika and the other captured Na'vi. He gets identity cards from Hegner, and he and a raiding party slip into Hell's Gate. They rescue the prisoners but get caught on the way out. There's a huge chase/running battle as the Na'vi head back into the forest.
All of the local Na'vi have assembled in a holy valley. Josh gives them a speech and when it's over he gets congratulated by... Grace. She's alive in her Na'vi body. They did a soul transfer.
She tells Josh that Pandora is alive. It's the Gaia theory - planet as bio-organism - writ large. Pretty much the same explanation as in Avatar, but with more detail, and with the allusion that maybe Earth was like this. But this is why the colds get cured, and why the animals kept attacking - the humans are seen by Pandora as a virus. The planet is trying to expel them. Josh wants to know if the planet can be told the true extent of the threat, and they try to talk to Gaia.
The next morning the humans attack, and in Project 880 the wildlife are in the fight from the start. Josh rides a leonopteryx, but it's no big deal for the Na'vi, since his rival, the alpha male guy, is also riding one.
de los Santos flies around in a helicopter with Chacon (the Michelle Rodriguez character, who has not been terribly prominent), sending a live feed back to the base so that the human workers can see what the military is doing.
Back at Hell's Gate, Norm Cheesman (the Joel David Moore character in Avatar), who has not been involved in any of this, has seen enough, links in to his Avatar and takes up arms. So do the rest of the Avatars.
All of the many animals of Project 880 battle the humans, including a huge swarm of Medusae.
At Hell's Gate Selfridge wants to blow up the link room, but Parrish finally finds his balls and puts a gun to Selfridge's head, telling him no way.
There's a second military jerk, Wainfleet, who takes on some of Quaritch's jerkiness. When the alpha Na'vi rival guy is injured, Wainfleet scalps him, cutting off his braid, which plugs him into the planet. He's the guy in a mech with a big knife, not Quaritch; Zuleika and her Manticore (Thanator in the movie) kill him.
Quaritch gets in a mech suit and heads to the remote base, where Josh's body is. He and Josh's Avatar fight, but instead of killing him, Josh lets a pack of direwolves rip him apart.
They've won. Josh and the Avatars take control of the base. Some Avatars will stay, all humans will go. Josh does a video with de los Santos, telling Earth that Pandora will not allow humans to step foot on it again, so don't bother coming back. In fact, if humans come again, Pandora will send them home with a horrible virus that will wipe out humanity. Josh tells Norm there really isn't such a virus.
Just like in the movie, Project 880 ends with Josh transferring his consciousness into his Avatar. The end.
The changes are major and go throughout. The third act is the closest to Avatar, but Project 880's greater biodiversity and larger cast makes the ending somewhat different.
The major changes are in character beats and story points. Obviously, much of Project 880 should have been condensed, but some elements - like Josh proving his leadership in the great hunt and cementing it in the raid on Hell's Gate, are so good you wonder why they got cut. Also, Hegner, the shattered controller, seems like a weird cut to make. He adds a layer of pathos as well as drama - we see what will happen if our heroes' Avatars are killed.
Some of the action set pieces are a bit much. The scene where Josh gets cut off from the team would be over 20 minutes long if shot as written. That said, the first Na'vi raid on Hell's Gate feels very important; the natives getting restless makes the big battle feel more organic. In Avatar the humans attack Hometree because they're just sick of waiting to get at the unobtainium. Moving unobtanium to Hometree makes much of Avatar's storytelling more streamlined, but it also makes the flying mountains nothing but a novelty and creates a weird lack of urgency in the humans' mission.
Some of the action set pieces are a bit much. The scene where Josh gets cut off from the team would be over 20 minutes long if shot as written. That said, the first Na'vi raid on Hell's Gate feels very important; the natives getting restless makes the big battle feel more organic. In Avatar the humans attack Hometree because they're just sick of waiting to get at the unobtainium. Moving unobtanium to Hometree makes much of Avatar's storytelling more streamlined, but it also makes the flying mountains nothing but a novelty and creates a weird lack of urgency in the humans' mission.
The survival of Grace is a welcome change. While it makes Josh's switch at the end less 'dangerous,' it isn't too dangerous in the movie anyway. Grace is gutshot - it seems likely that she would be too far gone to save. Of course 880 Josh has nothing to lose - he has no legs to gain, his homeworld sucks, he has no family, and he knows he won't die in the transfer - but Josh is a much more active hero than Jake Sully. His affinity for Pandora is also explained in a way that's very convincing and that Jake's never is. We see Josh fall in love with the planet and understand why his mind is so blown.
The addition of more humans is welcome, also. Parrish's arc is nice because it not only shows that it's never too late to change, it shows that not all humans are dicks. In Avatar it's only the humans in the Avatar program (and only the small hero group) who get the problem on Pandora; in Project 880 many of the humans figure it out. And more importantly, we see the other controllers stepping up - they're missing at the end of Avatar.
I would liked to have seen a movie version of Project 880. I can't say for sure why Cameron so severely streamlined his own story, but 880 feels like a Cameron film. Avatar feels like the footnotes of that. Many of the problems I had with Avatar's story are addressed in Project 880's scriptment. I like Josh Sully better than Jake, although I suspect my biggest problem with the character lies in Sam Worthington. But other characters have more flesh, and the story unfolds at a pace that feels interesting and not like it's on rails. Project 880 relies less on Josh being ordained or chosen and more on him proving his worth. He's never torn between humans and Na'vi (although he barely is in Avatar; the scenes of Jake informing to Quaritch feel really perfunctory and the two characters seem to have no relationship), and he doesn't become the leader of the Na'vi in quite the obvious way he does in Avatar (it's hard to say who he's leading at the end of Project 880, but it's probably just the remaining Avatars and few support workers, not the Na'vi themselves). The rival alpha male guy is also given his own role and moments, and his death feels actually tragic.
Project 880 isn't much more subtle with its allusions than Avatar; at one point Josh actually compares the plight of the Na'vi to the Sioux and the Navajo. The scriptment also has very little dialogue, although what is in there tends to stink ("I'm your wingman, babe," Josh says to Zulieka when he first tames his bansheeray), so no improvement there.
Obviously this scriptment would have made a five hour movie. Things needed to be cut. I just wish Cameron had been able to keep the decent story and rounded characters along with his deeply designed world. But when you're spending that much money, it's the story and characters that get canned before the FX.
Project 880 isn't much more subtle with its allusions than Avatar; at one point Josh actually compares the plight of the Na'vi to the Sioux and the Navajo. The scriptment also has very little dialogue, although what is in there tends to stink ("I'm your wingman, babe," Josh says to Zulieka when he first tames his bansheeray), so no improvement there.
Obviously this scriptment would have made a five hour movie. Things needed to be cut. I just wish Cameron had been able to keep the decent story and rounded characters along with his deeply designed world. But when you're spending that much money, it's the story and characters that get canned before the FX.
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Comments
Comment #1 (Posted by Ambrose Bierce take the bus)
I like Avatar for what it is: a megablockbuster made by a superb director. Your news and reviews about the film are consistently excellent and this new article provides a very interesting look at the proccess of translation from an original script till the moment when production is finished. The haters will always hate, but this site is the best place to find out interesting information about films and the industry of cinema.
Merry Christmas to all the good-hearted geeks in the world.
Comment #2 (Posted by Andreas)
Sounds like a good read. I dig the mega urban background story. While this movie would have been very long, it seems like a good story. If it were to have been made, I would've hoped that an emaciated James Remar had been cast for the role of Hegner.
Comment #3 (Posted by Rojas)
Thanks for the article. I read the scriptment a while ago, and remember being amazed at how ambitious it was (& educational too!).
The na'vi were much more intriguing on paper - they were like lemurs & had tese pod things that stuck out of the back of their heads, I think. Can't understand why he'd cut the earth scenes, the imagery was striking. Pandora was more diverse & the film seems to take place in a limited space.
However I have to say, what an achievement to get his vision on film. Cameron's a master, it's scary to think of the crazy shit he's got up his sleeve now! A final note, the last image is identical as it was written- I like to think that's what drove him all these years.
Comment #4 (Posted by Shan)
Maybe the sequel if it gets made with start by looking at Earth. It sounds a lot like a Mega City from Judge Dredd, right down to the nature of funerals (though at least they may not have gotten to the point just yet of 'resyk' recycling everyone like in Soylent Green). Maybe the sequel will start on Earth leading up to a return to Pandora in force after the company (SecFor?) convinces the Earth government to do so through its contacts in the political establishment.
I don't know if threatening Earth with a lethal virus is a good idea, Earth might see that as such a threat that they'd drop enough remote controlled nuclear bombs on the planet to kill everything on it 'just in case'.
Comment #5 (Posted by Sharky Shark Shark)
Read the scriptment 2 weeks before watching avatar. The biggest things I missed in the final movie was first- the time spent setting up earth as a shit-hole - that entire section would have given the scully character more depth, and made his final reason to go native more compelling - he didn't want to see Pandora get turned into another earth. The second thing I missed from the scriptment was how dangerous the Pandora's forest seemed. The plants and animals seemed deadly, death lurched around ever forest corner. Some of that is transferred into the final film, the forest does seem alive and there are things that can kill jake, but it definately feels like the disney-fied version of the scriptment forest. There are some improvements over the scriptment in the final movie in my opinion. I liked that Cameron stream-lined some of the characters in final movie. Way too many characters in thes scriptment that either did nothing only to end up doing stuff to propell the plot forward at the last moment. The concept of Jake being the chosen one was handled better with the capture of the large dragon. The movie could have done with showing the actual battle and capture of the dragon itself rather but I still felt it was better than what was written in the scriptment. Outside of that I kinda agree the scriptment feels like a more complete version of "Avatar" and ends up answering for all the plot holes in the final movie. I'd be very interested to see if Cameron has an EXTENDED EDIT of Avatar. Sam Worthington has indicated in interviews that there was more scenes of his character spending time on earth, so maybe there's still a chance that some of the scriptments depth might be realised in an future extended editions. Its not like other Cameron films haven't had them (Aliens, The abyss). Good article, devin. This is the sort of stuff you should be doing more of. As opposed to trolling fanboys.
Comment #6 (Posted by Evilkinggumby)
I'm so glad you had a chane to really detail the original script and show what was Cameron's original intent. It helps to show why the movie felt a bit stunted in spots and why folk are not all excited about the final results. Ignoring the shine and polish of the fx, the story had a good core, but what you are explaining is the solid backbone and "flesh" that was necessary for the skeletal plot to really have weight. I am sort of sorry that Project 880 didn't get made, even in bloated form. Considering how many movies get dropped in 2 parts and filmed together, it would have been kool to see it don ehere, but I suspect someone had cold feet about if this kind of "new property" would have really taken hold. Since the film was started before the collapse of the american economy(well, almost complete collapse.. lol) and made straight through it, it's understandable that it became a 'crib notes' version of what it was. Cameron had a great idea originally, themes that are more important and universal, but towards the end of the filmmaking cycle money ultimately screwed it al lup. Maybe that was why one of the strong motivators in the film for the corp being "evil" was because it's bottom dollar was at risk, and maybe Cameron put that in as a slap to the very companies that were slowly tightening his noose on the project. There is a good possibility a lot of what you mentioned about the story could surface later as stills and unfinished cg shots(you guys did mention Cameron scrambling to use every resource possible to finish the movie on time, right?). I would suspect as either a vastly extended dvd release(like the later released LOTR's movies) on blue ray, or as some have noted in this comments section, a sequal. If the movie makes any sizeable profit, I can see how a sequal would be possible since after the oodles of cash went into CG and software development to make this, then utilizing that same work to add on and make more movies has far less financial impact. And also note: the propriatary software and technology Cameron took years to make and perfect may very well be used to make a lot of the next gen of movies(why they called it a milestone or a gamebreaker) in which case this movie is not only Cameron's dream but a huge tech demo. Look at the Unreal engine or the Half Life engine. Good games were released for it, but the biggest point was to then sell that graphics engine to other companies to make games. Maybe if we're lucky and this ended up being more of a tech demo(because Cameron lost the support and funding he needed to finish it the way he wanted) he can return to it in dvd form (or possibly a re-release at imax only theaters), and better return the movie to it's script roots. I can only hope, as I liked the movie for a lot of reasons, but recognise that movies, like humans, are organic and complicated and generally show both faults and promise.
Comment #7 (Posted by Fizlestick)
The only thing I really like about Project 880 is the fact that it visually establishes the conditions on Earth before moving to Pandora, instead of just telling us in narration like in Avatar. But overall I disagree completely with you Devin, the characters and the subplots that where cut make for a much leaner and more likable film (you really wanna see Grace get it on with an alien?). And it simplifies things considerably, making it much easier to empathize with Jake. And I believe that the simplicity behind Avatar's story is the main key to its success. I know a lot of people think "simple" means dumb, but that's just wrong, simplicity brings clarity, and the last thing you want is to disconnect your audience from the main emotional backbone of your film by over complicating your subplots. Just look at Hitchcock's films, he valued clarity of a film beyond anything else, and that's why his films are immensely watchable even today.
Comment #8 (Posted by FivemagicS)
Agree with comments 5 and 7. Could be a little of both. Maybe there is an extended edit of the film, but I seriously hope that a lot of whats missing in the final product is incorporated in the sequels. I mean, he has two lined up.
Comment #9 (Posted by Drew D)
Hey Devin, long time reader, first time commentor. This is great stuff. I have a few versions of the scriptment, including the most developed draft which you have. Being 113 pages and trying to avoid spoilers, I never read it. I find it fascinating as a glimpse into James Cameron's creative process and also the long road this film took to get to theaters. Seeing the differences in the story, I can see why Cameron was and is so excited about Avatar and the world he's created. It goes far beyond the cool flora and fauna of Pandora.
I'm not a huge fan of the film - looks amazing, story is weakest part, worried the film will be given credit for breakthroughs in other recent films (Gollum/Davey Jones' expressivity, Coraline's immersive 3-D) - but so much of what you described above shows a creativity that I found lacking in the finished film. It also brings up some interesting ideas about story vs. storytelling. For example, take all of the cold hard facts we have about the Avatar universe (this first step seems to be Cameron's forte) and imagine how Brad Bird, or Lawrence Kasdan, or Steven Moffat, or Ronald D. Moore, or even J.J Abrams (not to be confused with his far inferior cohorts Kurtzman & Orci) would have presented it. Emotional beats would have played out differently, the structure and timeline (particularly in Moffat's case) would jump all over, some risks would be taken. And I'm just talking about the writing. I'm not saying these would necessarily be better, but we wouldn't get such a densely imagined world stripped down and hamstrung on the same arc we see again and again.
Just a thought: do you think Cameron curtailed the details of Earth and Pandora's creatures because the technology, the crown jewel of this whole project from day one, wasn't up to snuff? Gollum and King Kong were one thing (and much of that credit deserves to go to Andy Serkis. Just look at the difference between Zoe Saldana's physicality and that of Sam Worthington; it's clear that no one facet of the filmmaking can shoulder the weight.), but the world Cameron imagined is another. He's gone on record about how this story was developed to push technology and he success is there on the screen, but perhaps he had to make sacrifices along the way. Many of the cast and crew have talked about the originality of the script, particularly producer Jon Landau; the script(ment) and pre-production work Cameron must have laid down years ago, when they signed on may have been a different animal, as evidenced by your piece above.
Either way, I wonder what Cameron plans to do with these other ideas.
The sequel could certainly include events from before and after Avatar (a la The Godfather Part II) and we might get to see Cameron take some chances with the story, structure, and ideas. There's certainly room for improvement. That was the case with Star Wars (a fair point of comparison in at least a few respects). Empire Strikes Back took chances and bettered A New Hope whether fans wanted it that way or not; the same is true of the Star Trek films and arguably, the Planet of the Apes series.
If that's the case, much of what you've published may be giving away elements of the next film (or comics, or games, etc.). I don't mind this at all, given both my lukewarm feelings about Avatar and the fact that this scriptment is readily available on the web with only a minimal amount of searching. You might want to think about making a disclaimer toward the top but I'm also of the mind that it's not the story but the storytelling where Cameron faltered.
Keep up the good work. This is why I love this site.
Comment #10 (Posted by Ogami Itto)
Yeah, that P880 scriptment features a lot of stuff that I wish had made it into AVATAR. I also second the suggestion that James Remar (or maybe Lance Henrickson?) would've been a great Hegner. Great article Devin!
Comment #11 (Posted by The Colonel)
If Cameron works a lot of the earth stuff into a sequel, it could very much be the Empire to Avatar's New Hope.
Comment #12 (Posted by Dr_Buggerlugs)
I really dug the Earth stuff in the original scriptment - read it a few years ago so this articale is bringing a ot of it back - perhaps Cameron might be looking at doing Earth in a future film? Imagine the Jake and the Na'vi characters being taken back to Earth? Wouldn't it be cool to see some of these creatures and alien characters dealing with a whole new environment?
Comment #13 (Posted by Gary Busey)
Thanks for the great article. Stuff like this is why I read and like your stuff.
Comment #14 (Posted by FilmBuffRich)
I went back and read the scriptment as well this week. I have to wonder of Cameron pulled the "threat of virus" ending when he decided that the possibility of a trilogy of films existed. The virus threat is very final. The ending we have now is much more a A NEW HOPE style ending- the bad guys have been defeated, but we know that there's the possibility of them coming back if the box office warrants a sequel. If Cameron does do two more, I would not be surprised to see the virus threat be used in the third flick.
Comment #15 (Posted by Liquidtar)
to #4... Because the comparison is apt and the article informative. I've always thought that if half the films based on books were actually like the books, we'd get a bunch of mastepieces out of studios. I don't know why sometimes it's difficult to get a good transition from page to screen, honestly, maybe it's studio politics getting in the way.
Comment #16 (Posted by #18)
Sounds like the movie would have been longer if Cameron had used the original script. And then it might have been too long for IMAX-theaters, and Cameron has said again and again that was the reason he cut some stuff out. And let's say he had made a movie of three hours or longer, then I'm sure some people would have complained about it being too long and slow. No matter what you do you will never please everyone
Comment #17 (Posted by Josh)
I liked Avatar enough, liked it even more after reading the following article:
http://www.aintitcool.com/node/43440
(the talkbacks are pretty great as well)
Of particular interest to me was the possible explanations of the 6 legged animals (the 2 front legs are possibly a result from an environment where fight was more important than flight), the 4 eyes (1 set for daytime, 1 set for nighttime, much like we have rods and cones in our own eyes for different lighting conditions). These creatures seemed otherwise ridiculous to me initially. There's also the panspermia explanation for why Pandoran lifeforms are possibly so similar to Earth lifeforms.
Then there's the floating mountain explanation. Just one line of dialogue would have helped us out a bit there in the movie. I mean at one point they even almost tease the audience with "what haven't you heard of Pandora's famous floating mountains?" Then slam-cut to several minutes later and we're flying a helicopter totally not getting even a weak explanation for these titan anomalies.
Particularly interesting to me is the lighting environment on Pandora. According to the article, the nature of Pandora's being a moon orbiting a gas giant means that even at night Pandora's "moon" would be many times brighter than our own, resulting in a world bathed in blue light. I feel this goes a long way to making the otherwise somewhat silly blue cat people aesthetic make a lot more sense if they are in fact trying to blend in with this world. Perhaps they were originally more nocturnal and evolved a blue skin because of these habits. Also, as mentioned above, the Na'vi supposedly see further into the ultraviolet spectrum, making their perception of light wavelengths particularly around what we consider blue much more sensitive and sophisticated (another point in the article being that concept of color is not only subjective but also pretty damn relative to the environment in which an organism evolves -- "Our eyes evolved to see in the narrow range that the sun has its peak output.") An organism that appreciates blueish light is probably going to have a selective pressure for pretty blue skin in sexual displays.
Incidentally how fucking Cameron is a dim blue world? Totally fits his signature cold lighting style.
Far from being an apologist here, I think a lot of these explanations go just far enough to help what may have seemed ridiculous at first glance become at the very least debatably possible. And that's the best kind of scifi really.
All that said, I think I like Avatar a lot less after reading Devin's article. Project 880 sounds so much more interesting and indeed more Cameron.
Particularly the Earth-is-a-shithole stuff. In Avatar, Jake seems almost childishly delinquent in his treatment of the plant and animal life on Pandora. While impressed and curious about it, he behaves rather disrespectfully, rudely slapping around those big contracting flowers and even going so far as calling that big rhino thing a 'bitch' and taunting it like some piece of walmart whitetrash. A Jake that was overwhelmed and awestruck with the beauty of something new and precious and totally otherworldly to him would have been a welcome change.
A lot of the Earth stuff can totally work in a sequel and could even give the audience a now much needed reason to root again for the humans. Though at least a little more of Earth could have been worked into Avatar. It would have been nice to have given more of a shit about the Jake character.
Comment #18 (Posted by Phil Dean)
Excellent write-up. Project 880 really does sound more like a Cameron film. Maybe Lord Of The Rings inspired him to go less sci-fi, more fantasy; That would explain the greater emphasis on Hero's Journey type moments, while avoiding explanations for things like floating mountains. Things had to be cut, sure, but throwing a character in like Hegner wouldn't necessarily take more than a few minutes of screentime. I agree with the other posters that we'll probably end up seeing some of this on the blu-ray. When you're talking about epic sci-fi/fantasy, it's these little details that make the world seem rich and lived in, and why Dune and Lord Of The Rings are being read half a century after publication. I enjoyed Avatar, but I was never truly engaged, and I ended up feeling like nothing much happened in the movie. Maybe some of this material can be used in the sequels, and this can just be a good set-up film to a potentially great series.
Comment #19 (Posted by 65.502)
Project 880 counters almost every argument I had against Avatar. I really hope there's more stuff for the eventual director's cut. Although considering how the movie was made it would be foolish to expect additions of LOTR extened edition magnitude.
Comment #20 (Posted by an unknown user)
I would have liked to see Grace survive, the big hunt, and it would have been interesting to see a Na'vi suicide. I loved the hell out of this movie. It blew my expectations away.
Comment #21 (Posted by Nick S.)
I disagree with the praise for the Earth scenes, I think it would have played as "oh neat, another bleak future-Earth." But mainly it would not work with Jake working with the Avatar program to get his old life back. That life would have to not be incredibly depressing and I think that's the best change made from this scriptment. Jake needs to be selfish in the beginning.
That aside, the Hegner character is a FANTASTIC idea that the final film is sorely missing.
Excellent stuff Devin, if you want people to ask for more articles like this (I smell a new column name!) count me as one.
Comment #22 (Posted by sjs)
The one thing that really pissed me off about Avatar is that Jake was supposed to convince the N'avi to move. But, instead of doing that, he dicks around until the wrecking crew shows up and THEN finally brings up what he was supposed to tell them, when it's already too late. Jake is a dick.
Comment #23 (Posted by Abraham Lincoln: Christ Edition)
As a couple people have said, I think there are a lot of these details that will probably see daylight if Cameron gets a shot at a sequel. I like a lot of this stuff, but obviously now there are a couple of the original concepts that wouldn't fit with the Avatar that came to be. However, I'm definitely of the camp that wants to see what Cameron will do upon revisiting Pandora.
Comment #24 (Posted by Almo)
The Hunt scene and the party were SHOT and will be on the Blu-Ray itself, per Cameron.
Cameron also said he deliberately left out some details from the scriptment for the sequel.
There are obviously many character beats from the movie that are cut (thanks IMAX) and while some of this stuff in the scriptment definitely isnt in it, you should expect a much more fleshed out Extended Cut eventually.
Comment #25 (Posted by Phil)
I suppose I can always hope for an Aliens-style director's cut... That would be one hell of a movie.
And I'll add my voice to the chorus of people calling for more script-to-screen comparisons. The one for Terminator actually got me to see the movie.
Comment #26 (Posted by Granados)
These alterations, omitted characters and ideas are compost for a richer sci-fi yield. Not a better movie.
Comment #27 (Posted by alfie)
sounds as shit as the final product was.
Comment #28 (Posted by Shan)
Ultimately, the Pandorans cannot win a war with Earth, who could safely kill them all from orbit. What could be potentially interesting is if ultimately a diplomatic solution is sought in the end. Could we see a Na'vi put into a human avatar and sent to Earth?
Comment #29 (Posted by TheScot)
Avatar was fun adventure. Very experiential. And yes, the story was very much a part of the experience as the visceral, visual athestics were. On top of that, Cameron created an ecology and a planet worth exploring, not quite as vast as other scifi/fantasy universes (since its only limited to a planetary moon), but filled with incredible intricate, exquisite detail. The people who hate Avatar would bitch and moan about visiting new worlds, would complain about how the view from Mt. Kilimanjaro wasn't worth the climb (can you take me home now??). They would whine about how sick they got on a fighter jet plane ride. As a lot of people are saying, this is the reason why we go to the movies.
Comment #30 (Posted by MootPoint)
After all the various comments and reviews on Avatar, I went to the theater with trepidation, and came out agreeing whole-heartedly with Devin. I think just by adding the whole part with Earth at the beginning, things would have been more interesting. The movie felt like a tech demo, with a terribly obvious story
Comment #31 (Posted by Me Want Script)
Where can you find the script? The PROJECT 880 SCRIPT? Thanks.
Comment #32 (Posted by Inevitablefailure)
I've seen the movie three times. The plot seems like nothing compared to Project 880. Wow. I'd like to read that script! What I loved about the movie was the imagination involved in creating this whole world!
Comment #33 (Posted by The Internet)
My biggest problem with Avatar is that we never really understand who Sully is - he's just some jarhead who has no legs, and that's (more or less) his whole character. It sounds like the Earth stuff and the initial experience with his avatar from 880 fix that, which makes me wish that the movie had been shuffled around a bit. Also: More of these, Devin. They're great, and the Terminator one made me appreciate (and understand) the movie we got a little better. This one did that too.
Comment #34 (Posted by greenj2)
Great article Devin. I just read the Avatar scriptment yesterday myself. While I dug watching Avatar solely for the amazing visuals, I completely agree with your opinion of the story.
Definitely keep up the movie development phase comparisons. It was your write-up on 'Terminator: Salvation' that got me into reading your articles, very interesting stuff. Keep up the good work sir!
Comment #35 (Posted by asdf)
Great piece, unique in your AVATAR coverage in that it seems very objective. This article must also have been a shit-ton of work to write.
Comment #36 (Posted by bobthecrazy)
I was under the impression that the codename "Project 880" only came when Cameron was deciding between that movie and Battle Angel Alita. So what we're seeing in the theaters now is Project 880 and Avatar was the original scriptment. Anyway, no big deal, very interesting article. Thank you.
Comment #37 (Posted by tourist)
I too read the scripment a long time back, before it was announced as Project 880. I read it at the same time as I read Cameron's proposed lower budget drama about a serial rapist.
I remember at the time being greatly dissapointed at this being the actual film that Project 880 was going to turn out to be, because I felt the script sort of died once he got into his Avatar. I had hope he was going to go all out on Battle Angel.
The finished film was okay though.
That said, I keep hearing retards talking about plot holes etc, without understanding that the space marine and colonel coffee cup aren't "earth". They are a modern day British East India Trading Company, more like the bad guys from the Pirates movies. The earth intro (which I felt was sorely missed in the finished film just for juxtaposition's sake) would have cleared this up.
Comment #38 (Posted by Purple0limar)
I found this:
http://www.businessweek.com/magazine/content/06_07/b3971073.html
That sounds like an awesome idea. How come that didn't happen??
Comment #39 (Posted by SciCurious)
Definite improvements. Hopefully they'll do a DC that runs in 3D theatres later in 2010. I'd give it a second chance to engage me beyond the 3D Theme Park Ride it currently is. There are nice echoes of Harry Harrison's Deathworld books too in the hostile Flora and Fauna scenes. Pandora did NOT seem all that scary and dangerous in the movie.
Comment #40 (Posted by Tundro the Tremendous)
Interesting article.. I've just been thinking the 880 version shows many similar themes/plot points to The Abyss. What started me thinking was Grace's "Ranger Rick" comment vs "Roger Ramjet".
Esp. the SE of the Abyss vs. 880.
Comment #41 (Posted by Ron)
Well I'm at least happy to learn that every gripe I had with the film was originally fleshed out and then cut, rather than underestimating my intelligence by never explaining it in the first place...
Its definitely sad that so much was lost but I totally understand why - how could you not chop down huge chunks of story when every minute of the movie costs thousands of dollars? I guess there's plenty to work with for novelizations, sequels comics video games etc...
Comment #42 (Posted by GX67)
These are all very good points, and you mentioned a key point at the end of the article: It would have been about five hours long.
It would have been interesting to see Avatar/Project 880 as a TV series, rather than a single, stand-alone movie, but the current adaptation is decent for the most part. I rather enjoyed it overall.
And I must have drooled at least twenty times after seeing all the technology and designs for the ships, base, trees, etc...Nerdgasm ahoy.
Comment #43 (Posted by Julian)
Thanks much Devin for taking the time to write this article out. Very interesting, as was the Terminator Salvation article.
Comment #44 (Posted by bob)
Im not complaining about another Avatar article, on the contrary, I'm enjoying the debate this puppy is sparking. But I am complaining about threatening to delete posts. Is this nazi germany or a movie website? Whatever happened to freedom of speech? I think you guys are getting a little too sensitive. This is the internet after all, you dont have to read everything people post. Especially idiotic people.
Comment #45 (Posted by Daniel)
This one is a very interesting read, while I enjoyed AVATAR for what it is, I think that the ideas exposed on "Project 880" would have made a better experience, it exposes more to the characters and interactions between them and not only that but also the interaction between Pandora and the Earth Itself, its pretty compelling, I wonder if we will see more of that in the sequels?
Nevertheless, interesting stuff.
Comment #46 (Posted by il Duce)
Interesting. I thought Cameron was "king of the world?" But his scripts are forced to take cuts just like everyone else's, huh?
Shame. Sounds like a much better film on paper... and much more of a Cameron film. I love the idea of the human turncoat, on the take. Reminds me of Burke in ALIENS. In fact, several of the P880 characters recall earlier Cameron characters, and the environmental theme, also consistently Cameron, feels more effective, particularly with the bleak Earth for contrast.
Ironic if these cuts were indeed made for IMAX, since I think they would have added a great deal to the final film, and IMAX, for me, adds NOTHING.
(Neither did 3D).
Comment #47 (Posted by anonymous)
good article, definitely
Comment #48 (Posted by Wayne Klein)
Cameron dumbed down his original conception. It's clear that it was compromised to some degree if that was due to budgetary issues or financing issues, I'm not sure.
I agree with you that this film would have been much more effective with the original conception but it also would have been a much larger, ambitious film and, hence, more risky to Fox.
Comment #49 (Posted by an unknown user)
Nice read, thank you for posting. Any chance you have the full scriptment on hand? I'd love to read it myself.
Comment #50 (Posted by vargatom)
A couple of notes:
- the first cut of the movie was about 4 hours long, many other scenes were filmed and performance captured including the hunt and Future Earth
- many of the changes were made to appeal to a wider audience by making the story structure more similar to the monomyth
- all the scientific explanations would only mess up the pace of the movie
- and some of the stuff is probably left out because the story has been expanded to a trilogy; some of the possibilities IMHO include Jake and Neytiri coming back to revive Earth
I really like the original scriptment and keeping more of its themes and plot and such would have made for a movie I'd like more then the end result. But I can't ignore that the critical and box office success seem to fully justify almost all of Cameron's changes and decisions. All that's left is to hope for Avatar 2 to be as good as 'Empire' was.
Comment #51 (Posted by kismalac)
@ Lajos, a jó kurva anyádat, muszáj neked mindenhová beírkálnod?
Ekkora egy köcsög barmot!
Nőt persze nem bírsz szerezni mi?
Comment #52 (Posted by an unknown user)
I really appreciated your article, and what a privilege you had in accessing the original manuscript. I agree with you regarding the details left out that would have enriched the movie greatly and something like this could always have been improved, but any artist knows that when you look at a piece too long you start to lose it because you're no longer seeing it with fresh eyes. Maybe this happened in Cameron's case. I'm disturbed by references to Avatar 2, if they do make one I'll be really sad to see it go downhill, but references to Empire it does present unlimited opportunity for wonderful new stories centered around the Na'vi. IF done well and not just a cash grab, which I'm sure it will be since we seem to have lost all integrity in Hollywood films. What I loved most about the movie is that you knew essentially how it was going to end in the first hour. The great thing about such a tried and true plot is its hardwired into our psyche. I think this really gives the writer complete creative freedom in imagining a beautiful new place. I really enjoyed the visuals and the use of phosphorescence in the environment. I admit, I'm a girly girl down to the core and when something like this is not too cheesy and really pretty, I'm a sucker. Thanks again for a great article!
Comment #53 (Posted by Shc)
CONCERNING FUTURE EARTH SCENES:
-The Future Earth Scenes SFX are completely done. They were cut out of the movie in the last 3 months or so to keep the movie UNDER 3 hours.
Nobody wants a movie that is TOO long especially when it needed to recoup the money.
However, I do know that
FUTURE EARTH SCENES ARE DONE and could potentially be in a Blu-Ray DVD release extended version. However, no official words.
There is also the "buffalo hunt" and party that was mentioned by James Cameron and its 10 minutes-worth that will be at least added in the DVD release.
Thanks.
Comment #54 (Posted by Idledecz)
Project 880 sounds like something I'd really enjoy reading. I hope Project 880 is released as a book!
Comment #55 (Posted by Anti-Hero)
Hey, Devin. You wouldn't happen to have the scriptment for Throat Gaggers 13...would ya? I'm interested to know how that might have turned out before the finished product.
Comment #56 (Posted by Sebastian)
Wainfleet is on the film, actually http://james-camerons-avatar.wikia.com/wiki/Lyle_Wainfleet
Comment #57 (Posted by an unknown user)
Very interesting. I think we could actually expect a lot of this (details, expanded character moments) in deleted scenes or even (hopefully) a director's cut. I think 880 had to many characters and that it was a good decision to cut/combine many of them; the only one I wish they would have kept is Hegner and maybe Marcia de los Santos.
Mostly, in the original I like what Jake has to do to get in with the Na'vi- how he offers his "empty cup" (mind) to be filled, that he is a warrior, his simple hunt where he takes a life only because it is necessary, and his taming a banshee. I also like how Neytiri can't seem to stand him, it makes her seem wiser than her 880 counterpart because she knows who and what Jake is (or so she thinks). As she and the Na'vi watch him, they see he is more like them than the other Sky People. Jake sees this too and falls in love with not just Neytiri, but Pandora itself.
I also liked that Grace died in Avatar, it connected the human resistance and Na'vi more because they both suffered loss.
I know a lot of people complained we didn't see much of Earth, but I was actually relieved. I'm sick of seeing future industrialzed dying Earth. It's been done many times and each time it's similar to the time before. Enough.
I really liked Sam Worthington as Jake Sully. Some of your complaints are that his reactions to things (such as being able to walk in his Avatar body and the forrest of Pandora) are not emotional enough; also he seems to be able to survive a lot better in the wild than he should for a city boy. But he's not just some miserable cripple city boy. He's a Marine. Trained, and tough. When he gets the ability to walk again, he doesn't just stand in awe- he runs, something he thought he's never do again.
My main complaint on Avatar is the dialouge, mostly from Quaritch. I also thought there was a little bit too much profanity (this mostly from Jake), like it wasn't needed or didn't fit what was happening, the actor was just improving and that's what came to mind. Finally, I wish there had been more dialouge in the Na'vi language- mainly from the Na'vi themselves. I think they speak to much English.
Overall, I think it's a great movie- a good story with amazing visuals.
Comment #58 (Posted by chinji)
personally, I got a lot of the background stuff on earth from the movie. It would have been cool to see, but what is in the scriptment, is what I got out of Avatar (earth-wise), before I even knew of the scriptment, so no loss for me there. We also see, somewhat, what happens when a driver's avatar is killed. And I don't need to be told why Jake fell in love with Pandora, cause I could see why in the film. I don't need it spelled out. Did things change? Yeah. Was it better as 880? That's up to each person. Some stuff would have been better as they were in 880, but I like Avatar just as it is.
Comment #59 (Posted by joe)
I like the zero G opening shot a lot, starting or flashing back to earth would of been cool to see, but would of probably only made the "Save the earth" message in the story that much more heavy handed. We got the point in Avatar, earth is messed up. Now a prove yourself on the hunt scene would of been cool, but they basically did that with the find your flying thing scene. Other than that Avatar was already 2:40 long, I like how they trimmed out the fat. Plus that sounds like a lot of exposition when explaining those scientific facts, better to leave that to your imagination or the possible sequels than have a exposition overload.
Comment #60 (Posted by you dont need to know)
I just got done reading the original script, and I watched the movie in IMAX 3D last night (not that its relavent but I just wanted to say, Its freaking amazing". I spent the last 5 hours reading this (im a slow reader) and I absolutely loved it. The part with the Hammerhead Titanothere breaking into Hells Gate and the Slinth, they are mortal enemies and yet they worked together at the call of Eywa. This to me is quite entrancing and I would have loved for it to of been in the move iteself. I also think that the Col. enjoying himsellf while killing the Pandorian creatures was a good call to leave out. I absolutely love this movie and intend to watch it again within the week, but I did notice (as did many others who watched THE BEST MOVIE SINCE LOTR) that there was an overall Military = Bad, Nature = Good feel. I am in the ROTC program at App State and I dont intend to go kill and rape another planet. I love nature and think it should be respected, I would love to live on Pandora (with a rebreather of course, or preferably as a Na'Vi", but does my ties with the military make me a bad person, I think not. Other than that and there not being the name of the song I wanted to be able to listen to at the end of the credits of the movie, I am completely and overly satisfied with Avatar. Improvements could of been made, but hindsight is 20/20 and I belive that it was astronomically mindblowing and anyone that disagrees has either not seen the movie (in which case go see it IMMEDIATLY) or is an absolute moron (in which case go jump off a cliff). Cameron, keep it up and dont dissapoint with that sequal that I heard you would be making if Avatar did good. Hint Hint, I bet it does fantastic, so if you haven't already, go ahead and start on it and make it so amazing that I spend 3 days crying over it!
Comment #61 (Posted by Mike)
Great reading !
I guess, the reason why AVATAR´s story began with the arrival on Pandora was because there had been so many other scifi movies that describe a fucked up Earth before.
But I agree with you, that the more detailed informations about Pandora in PROJECT 880 are worth to see in a movie, and I hope that James Cameron will use all this in a sequel.
All in all, I understand that AVATAR and PROJECT 880 have both a great potencial for not only one movie, but also for a great novelization.
As far as I know, there hasn´t been published any novel so far... But I really hope that Mr Cameron will release a novelization of AVATAR... hopefully not as a simple script adaption, but as a great novel, in a style similar to the novelization of THE ABYSS he wrote together with Orson Scott Card.
Comment #62 (Posted by langer)
Leave all that in and make a 4 hour movie!
Comment #63 (Posted by Hon)
Actually if you watch the Avatar trailer carefully here you will see a brief scene of an wheelchair-bound Jake Sully in a bar scene on earth.
This might be a good sign that JC did actually film the scene on Earth and that it ended up on the cutting block due to the IMAX 165 minutes limitation. One could only hope for that.
http://www.apple.com/trailers/fox/avatar/
Comment #64 (Posted by tahrey)
I dunno... I like some of the mystery and late reveals that the streamlining created, helping cement the focus on what's actually happening rather than a mass of otherwise largely irrelevant exposition. The mercenaries are just guys hired to do some kind of job on a dangerous planet .... then it turns out the planet is REALLY dangerous, but it's worth it because of some incredibly valuable mineral (which may as well have the symbol Unb as it could have the more fitting but over-obvious Mcg ;) they can stripmine with great ease. We get told about as much as the protagonist(s) do, and would be expected to. Sully's final relevation about the state of the planet gives a last bit of "oh... perhaps the whole effort is to save a doomed earth..." and shows how much of a sacrifice he's making of his birth people to protect an as-yet unspoiled planet and its indigenous populace --- without it hanging over the whole thing from the start.
Though I love the visuals and am a massive sucker for such well done FX and beautiful scenery (whether natural, CG or hand-animated), it could have benefited from them taking a big breath and chopping some of _that_ for time in order to keep one or two of the other on-Pandora elements in the final cut without it becoming Titanic-esque in terms of buttock numbing length. Maybe once it hits DVD and Blu-Ray we'll see a few of them restored?
(Did Alien / Aliens suffer from not having any (major) on-earth scenes? Jurassic Park from not showing us the place being built? Nah...)
Comment #65 (Posted by Shawn)
I read your entire article but not all of the comments, some are quite long. I really want to thank you for explaining the original scriptment, I found it online but never read it.
I think the reason a lot of the detail of Pandora itself was cut is simple: SEQUEL. People already love Pandora from what they saw in Avatar and a second movie gives Cameron more room to explore it without being rushed.
I can bet that more of the footage from Earth will be seen on a DVD. You can see a part of one scene from Earth from the Extended trailer. Jake is in a bar of some sort and you can see s sport of some kind on a large screen in the background. I'm sure we'll see more of the dying Earth in the sequels. Cheers.
Comment #66 (Posted by Lamont Cranston)
Certainly the additional action in this ought to have been dropped or condensed, a lot of it is repeated.
But the development and story ought to have been preserved.
When the film cut that too.
Comment #67 (Posted by michaelc)
880 does seem to have a lot more richness to the plot and plugs a lot of the holes in Avatar.
From the description I think it would have been at least 5 hours of movie, so it would have been a 2 or even 3 episode saga, which might have been a good thing (it worked for Star Wars), but that would have been an even bigger gamble for Cameron.
Thanks for showing this to us.
Comment #68 (Posted by Bright-Eyes)
Great read, though I'm dying to read the scriptment for myself. Does anybody know where I can find/buy it? Thanks so much.
Comment #69 (Posted by Rotgut)
While I respect your opinion of the movie I can't get over the fact that you though "Salvation" was better than "T3"?
T3 wasn't all that good, but Salvation was just horrible.
Comment #70 (Posted by Corvis)
Same question as Bright-Eyes : where can I find this scriptment ? Does someone have it ? Maybe you Devin Faraci can give it to us ? **making Puss in Boots' eyes**
Comment #71 (Posted by Oblagon)
Corvis, Bright-Eyes, et al,
I can supply a PDF-format scriptment.
E-mail me, oblagon at gmail dot com.
Comment #72 (Posted by praxis22)
I just got hold of the scriptment yesterday and after a quick browse through it I was surprised both by how frank it was, and how much had changed, from both the initial setting and the character names, etc. Though a lot of it remains. The Na'vi are fairly well realised from the start.
Comment #73 (Posted by Maxwell)
According to what I've read, the next Avatar movie would be a prequel rather than a sequel, and we may get some of the 'mega urban background story' that 880 had.
Whatever happens, Cameron is and will always be my hero.
Comment #74 (Posted by seventy four)
So basically your telling me that...
Jake sacrifices his life, with real prospects, fixed legs & lots of money on an Earth that we are told has problems. For a life of always having to play catch up in everything, but with a woman he has fallen deeply in love with, and risking death to become one of his beloved Na'vi to cement his union with Neytiri.
...is a less good film than...
Josh who has the phenomenally good fortune to get off an Earth unquestionably in its final stages of becoming totally un-inhabitable, body-snatches a Human-Na'vi hybrid, then becomes the latest in a line of humans to run off into the woods, Josh taking a young, impressionable native, that has a crush on him, and entering some kind of marriage of convenience, in order to cement his escape from the realities of having to go back to earth at some point (with weird, kinky alien/furry/beast sex as a bonus), getting involved in kicking his unwanted fellow humans off his planet and guaranteeing he'll not have to return to earth along the way. With becoming Na'vi a convenient, practical, and risk way of avoiding the reality of relying on damaged, crippled human body, and dodgy human technology that will eventually fail (no more supplies or spares can come from earth)
or to put it another way,
An action film with love and human spirit conquering all obstacles,
not as good as
A story of ruthlessly selfish personal self interest?
Sorry, Ill stick with Avatar as it was released.
Comment #75 (Posted by Jon)
Good read, and I wish he had kept it this way as well. However, as you say, things need to be cut.
Please, PLEASE change the format though. This neon white on black is burning my eyes and I see random lines everywhere now.
Comment #76 (Posted by Jon)
Good read, and I wish he had kept it this way as well. However, as you say, things need to be cut.
Please, PLEASE change the format though. This neon white on black is burning my eyes and I see random lines everywhere now.
Comment #77 (Posted by MinaRobins)
I love your article and insight. and honestly after what i've read about project 880. i would be willing to sit through a 5 hr movie. Everyone is raving about the beauty of Avatar but not one is interested by the story line. you can't have just one side of the story
Comment #78 (Posted by Cat)
So I don't know if someone already pointed this out but you used both the names Jake and Josh to describe the main charater. I wasn't sure if that was intentional or not.
Comment #79 (Posted by Joe stinkyfeetsmellsnot)
mostly a response to Shawn's comment:
I've heard that in the sequel we'll still be following Jake and Neytiri and they went to another moon (of the same planet as Pandora) wich is called...something i don't remember, but it was something i read that, apperently, Cameron himself said so in an inteview....personally i don't hope its true. I went to c AVATAR (in 3D of course) and I really REALLY loved it but when it was over (unfortunally) i was wondering two things: what happened to Jake's Ikran/Banshee, and second: what did they eat? you NEVER saw them eat (the Na'vi) (Project 880) anyone knows where to get the script?
Comment #80 (Posted by Trips)
TL;DR
Comment #81 (Posted by nomi)
@Joe stinkyfeetsmellsnot there was a point when you saw the Na'vi eat, albeit breifly- in the scene we first see Jake in the Na'vi clothing.
I think I find the comparisons very interesting, in the same way I enjoy seeing how language evolves, or a performer elvolves between films- however, I don't think people should think any less of Avatar because they read a scriptment of a film they beleive would be better. Sometimes things can work reallyreally well on paper, but then not at all when it comes to translating it into action- I think thats important to bear in mind.
It would be interesting to see a different take on some of the scenes- I particularly loved the difference between the reactions of Jake and Josh with regards to using their legs, and a lot of people are looking at the Avatar version as being farfetched, or silly- but it speaks volumes, i think, for Jake's character that he wants to be on his feet and running as soon as he can- especially when you see Norm chasing after him, who has had ver 500 hours of link time, on very very unsteady legs.
I didn't find this statement entirely fair: "It's a great moment, a truly beautiful little character moment. Jake Sully acted like a kid who had finally been let out of a car after a long ride; Josh acts like someone who never thought they would walk again."
Yes, Josh reacted as someone who never beleived they would walk again- but so did Jake- he justs reacts differently, and as we can tell- they are very different characters. Josh seems more the stop and stare kinda guy, whereas Jake is a "I have to see it, touch it, smell it" kind of guy.
But, yes. I found this very interesting :)
Oh, and I apologise for my appalling grammar in this comment...
Comment #82 (Posted by quintin zhang)
great!I love it but i reckon Avatar is better. So sad in the end
Comment #83 (Posted by an unknown user)
I think that harping on the poor state of Jake's homeworld would have made his decision more obvious. Not deeper.
The final script fostered a sense of personal conflict which was absent from the original and ultimately made Jake a much deeper character than Josh.
Comment #84 (Posted by Joe stinkyfeetsmellsnot)
I didnt say AVATAR was bad....its AWESOME! I just think 880 has more....soul....spirit....whatever you wanna call it....but AVATAR still's the best movie I've ever seen...
(btw I also found out that Quaritch will return in the sequel :) Stephen Lang said in an interview: "Its not over while I still got DNA" my guess is they make him an avatar...that'd be rad!
Comment #85 (Posted by Nicole)
SEQUEL SEQUEL SEQUEL. I've read countless times that Jim Cameron has had parts 2 and 3 somewhat planned for a while depending how well the first did. This script definitely makes for a 5 hour film. Is it any wonder why they'd split it in 2-3? More money, and happy viewers. Come on, despite the story being cliche, I can't wait for more.
Comment #86 (Posted by Gideon)
Thanks a lot for this excellent write-up. I love Avatar, for many reasons, not least of which is the incredible experience of being on a beautiful, 'Edentian' alien world that you can sympathise with. As for as plots and filling in details go, the project 880 is certainly far superior. I'd say that this is nothing new, as the hard edits that need to be made for a movie's running times make thorough stories an unrealised ideal. Maybe some day they can bring back the practise of 'intermissions' and offer 4-hour versions with a a break. Unlikely perhaps, but 3-hour movies have succeeded, so why not 4?
I expect more details will make it into the Director's Cut. They will make the home viewing more palatable and make for a more intelligent film that can withstand critical, repeated viewing. As it stands, it is a visceral experience without parallel. It opens the door to other ambitious projects, perhaps involving other senses- 3D, mist in the theatre, moving seats. I really feel the art of film-making has moved into new realms and we are fortunate enough to have this taste of the future.
As for project 880 itself, it addresses my various misgivings with the story in Avatar- misgivings that were only partially placated by the fact that the movie achieved such mass appeal. I thought the Josh Sully character a lot more believable and modest. One of the most annoying things in the film was that only he could ride 'Turok'- that any Alpha male could made more sense and did less to make him invincible.
The greater biodiversity also makes sense, I was a bit disappointed to see so few types of creature featured, seeing as they did such an incredible job of making the ones we see believable (well within the context of the film). It almost seems as if things were filmed for a script that later changes. Leaving out the raid makes the 'War on Terror' speeches jar a bit with what is happening. The projects reasons for moving to the mountains and that they possess the unobtanium is a lot more satisfying- it also explains so well why they float.
Anyway, I think we are all used now to the script compromises that film showing times need. I hope more was filmed for the special edition blu ray with an extra hour of footage. Yet even if it isn't, I'm still ecstatic with what emerged. A Roger Dean world that we can practically touch!
Roll on the sequel, which I expect will offer a more satisfying story for many, listening to the criticisms. Now that there is a solid fan base, it will be easier for Cameron to make it more 'intelligent' as well as 'exciting'.
Thanks again for this exhaustive and impressive exploration of the story that became Avatar.
(Sorry for the plug, but anyone interested can find my commentary on the film here-)
http://perfectfutures.spaces.live.com
Comment #87 (Posted by RYAN)
All the cuts were probally made, not only to get to the na'vi faster, but to leave something for a sequal. They should definitley show us life on earth, at least a little.
Comment #88 (Posted by stinkypoop)
I wonder if the Na'vi's farts are luminecent..
Comment #89 (Posted by Gareth)
I would have liked to see Avatar be more like 880. More meat, less predictabilty, still needs writing to a higher thought process.
Comment #90 (Posted by Dave)
Curious to know where I can read the Project 880 script as opposed to the Avatar script. Thanks
Comment #91 (Posted by Daniel Levy)
If anyone is looking for the original scriptment, ala Project 880, I've got it hosted here:
http://avatarthemovieforum.com/viewtopic.php?id=10
They cut a LOT out.
Comment #92 (Posted by ihnamere)
i love the movie Avatar, though i wouldn't mind no cutting i can sit and watch this movie 2 days straight so if you ask me the movie coulda been 5 hours long easily, i dont mind :D i would love it <3
Comment #93 (Posted by Citizenchandra)
Thanks a lot dude, i have read the scriptment before movie was released and it really blowed my mind, it was one of the finest things i have ever read in my life. But the movie was very disappointing as compared to script,i really liked the concept of gaiya in the scriptment and how gaiya is working from the start to eliminate humans, it was fantastic. But there was no possibility of sequel in project 880 maybe thats why james cameron changed the ending. i am really looking forward to avatar director cut, which i hope will be more faithful to project 880. and again many many thanks to you for writing such excellent article, i have been longing to the same but too lazy to write all such stuff, its the same thing which have been running in my mind and i would have wrote the same thing.Great work, i would really like to know james cameron reasons for omitting these points, wish he read the article.
Comment #94 (Posted by Scott)
I think Cameron, like in his other movies ripped off Avatar, just like he did Terminator. Titanic was a simple story of history. He is a good director for sure. But gets credit for these idea's when they are cleary someone elses.
Why is nobody talking about the 1957 novel that is very similar to Avatar?..."Call me Joe"...?
Comment #95 (Posted by Lexomatic)
After reading this synopsis of "Project 880" and the 2007 version of the script (on foxscreenings.com), I think I know exactly why Cameron trimmed it, and it wasn't just for runtime: //
AVATAR is *Jake's story*. We don't need the specifics of Earth's situation, or how other avatar drivers succumb to Pandora's lures; everything spotlights Jake's personal journey. //
All those other intriguing aspects illuminate the milieu (and the cast, inasmuch as people are expressions of a milieu), but to do justice to that many separate ideas, you need a novel or a TV series. //
Also, the movie is structured as a fairy tale and a morality play; those benefit from being straightforward. Rather than being "too simple a story," I think it had exactly the necessary complexity to support the visual elements. When decorating a Christmas tree you pick a simple cone, not a gnarled bonsai.
Comment #96 (Posted by David)
"Scriptment" is an annoying word, like "staycation", "infotainment" and "chillaxing". I know Cameron invented it, but please, let's not help propagate it.
Comment #97 (Posted by Brent)
I would have liked to see more of the "dieing planet" Earth in the movie. I really like back stories and it seems like Avatar rushed through it to get to the "pretty" stuff. Showing more of Earth would have really set up a good contrast with Pandora.
In the trailer, there is a brief shot that shows Jake with shaggy hair wheeling around what looks like a bar. So maybe there was more footage shot of the dire situation on Earth. I would love to see that on a special edition DVD [fingers crossed].
Comment #98 (Posted by an unknown user)
You shouled check out "call me joe", it an good little story that has its own spin on things.
Comment #99 (Posted by Sixel)
The script sounds a lot more human and less cliche than the movie, if it was a book I'd read it.
Thanks for the article, a good and interesting read.
Comment #100 (Posted by an unknown user)
okay so the script is better? Quess what they probably want to sell it as a novel later which will bring money for them. Not surprising at all.
Comment #101 (Posted by rosa)
I really enjoyed the movie and actually looking forward to the sequels (cautiously optimistic though), but after reading what was the original story- I read the Project 880 treatment- intrigues me. I don't agree with all the ideas and wonder how some it could have been translated onscreen but it would have been good to have kept some of it in and glad that a core of it had been kept.
Thanks for sharing
Comment #102 (Posted by Jason)
As a huge James Cameron I can't tell you how excited I was about Avatar, I rememeber the first time I saw the Terminator movies and Aliens, I was blown away by the brillant mix of story and action, no director in Hollywood can handle action the way Cameron does, even his lesser movies such as True Lies and Titanic are far superior than anything that any other director in Hollywood can muster, so you can understand my disappointed when I saw Avatar. I was expecting an amazing action adventure set an alien planet completely realised unlike any other movie before, what I got was a basic Pocahontas story which almost spends it entire length documenting Na’vi life and then concludes the movies one action sequence, which really does not stand up to what Cameron has produced before. When I left the Cinema I wasn’t sure whether my expectations where just too high, I remember the first time I saw the Godfather I thought it was overrated, when I saw it again it was brilliant, the best movies get better with repeat viewing, so I saw Avatar again a week later, while it was an improvement on the first showing, it was not what I had expect, if I were to rank it amongst Cameron’s other work, I’ll put it just ahead of Abyss (not count Piranha 2), but it’s a far shout from his best. Even worse you find yourself supporting the humans because the Na’vi romance is so weak and formulaic (I’m not the only one, people were laughing during the soul transfer bit, some giggled when they called them blue monkeys and someone even cheered when Jake rival in the Na’vi was shot and killed), I have no idea how it made so much money (even with inflated 3D price it made a lot). I heard about the avatar scriptment before but I didn’t read it because I didn’t want to ruin the movie, now I cannot find it, can anybody tell me where I can get a copy of it, what I have read here sounds good, more Alien’s James Cameron, than Titanic James Cameron, so reinstall my faith in the King of the World and let me know were I can find a copy of the 880 scriptment.
Comment #103 (Posted by Marion)
I was facinated reading this first treatment of Avatar. Yes, many of the characters and scenes in the 800 project would certainly have made a better film. However, I do like the idea of Jake being the "chosen one" of Ewya and having to tame the Toruk. It made the film more epic. The idea that jake was actually working for Quatrich and knew what was coming, but was slowly seduced by his love for the Na'vi and Neytiri creates a conflict which is intersting, in my view.
I believe their are many questions that the movie did not answer -such as the nature of Ewya and of the motivations for the RDA seemed not to be fleshed out properly in the film. The idea that the RDA would want to use the Na'vi as slave labor certainly would have added a lot to the movie version. There are also all those unanswered questions about Grace. The fact that this treatment has her having a Na'vi lover, and another character had a Na'vi girlfriend that was killed, is all very interesting. However, I think perhaps the film version having Jake and Neytiri's relationship be the first romantic relationship between a human and a Na'vi makes their coupling much more special. I also love the idea of Jake crying when he is able to walk again!
Certainly there is plenty of material here (about the nature of Ewya, what Earth is like in 2154, what the RDA really wanted on Pandora), and perhaps Cameron is keeping some of this for the next film in the series.
Comment #104 (Posted by John)
I don't agree with the people who praise movie starting with a future-failure earth. It would have really slowed down the start of the movie and set a very cliched story. I don't want another movie where the earth is a terrible place in the future. I don't want this new environment compared to earth either, we don't need to compare them. I'm glad they didn't focus on earth because this movie is about Pandora and the humans on Pandora. Not earth and the humans on earth.
I really love the concept of more biodiversity in 880. When on Pandora, I really wanted to see some weird things that would amaze me without going over the top... that did happen but no to the extent I wanted.
I'm really glad they didn't incorporate the love story of Grace which I feel would have really weakened her 'mentor-like' character (comparable to Gandalf in LOtR).
However I'm glad that the final battle in Avatar was a lot more unpredictable than 880 e.g. like the late attack of the animals. The battle in Avatar (which was the best part of the movie for me) was very cleverly written - involving a lot of action and being highly climatic, it doesn't seem like that in Project 880. There were many other things that were unpredictable too, like the survival of characters. The fact that Grace's transfer didn't work, not only added more meaning and believability to Jake's final redemption but also added uncertainty to whether his transfer would work.
Overall, I think I prefer Avatar, but there is certainly a lot they could have kept from 880.


