TINTIN SEES LIGHT AT THE END OF THE TUNNEL...BUT NOT AS A TRILOGY?
- By Russ Fischer
- Published 10/31/2008
- News

Quick, how many Tintin movies are Steven Spielberg and Peter Jackson making? We've been told three for months and months, but unless I missed a low-key announcement (very possible) we're now looking at only two pictures. That's what the New York Times says in passing while discussing the financial future of the series.
A couple of months ago I had to ask what sort of world we'd live in if Steven Spielberg suddenly couldn't get a film made. The problem was Tintin, which Universal passed on co-financing with Paramount. The reasons seem fairly obvious: while the series has a groundbreaking, impressive creative pairing in Spielberg and Peter Jackson, the character has almost no traction with the American public. Selling the films overseas could be a cakewalk; selling them at home would be a strenuous uphill climb.
Now Sony and Paramount are in talks to co-finance the films. Paramount would distribute domestically and in other English-speaking markets while Sony would handle other foreign territories. The implication in the Times is that this deal would preserve the high-paying deal Spielberg and Jackson had originally angled for, or something close to it. (They'd originally asked for 30% of gross receipts.)
With respect to the series being cut from three films to two, I'm doing some checking. The NYT story is by Michael Cieply, who has been blasted in the past for less than perfect factual reporting. He also mentions that Spielberg has already shot footage for the first film in the series, which corroborates other reports that emerged in late summer.
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Comments
Comment #1 (Posted by izikavazo)
I'd watch a Tintin movie no matter what. And two is just about as good as three, there's no way I'll complain. Perhaps it's better that they're aiming for two. If they plan three then they aren't successful they would be happy to end it, but if they do two and they are successful a thrid would be easy to tack on.
Comment #2 (Posted by Andy)
This surprises me. I'm 27 and clearly remember reading quite a few Tintin books in elementary school. Was Wilson Elementary in Davenport, Iowa so different from other schools?
Comment #3 (Posted by Blistering Barnacled Buttholes)
Depends, were you the only kid reading them? I think educators love the books, along with Asterix, but there's a lot of competition with homegrown comics in the US and a lot of kids simply won't read anything that isn't new this year/month/week/minute.
Comment #4 (Posted by bpvalentine)
I'm 31 and thought for TOO LONG Speilberg and Jackson were trying to make a movie about a dog. Er, it's not about a dog, right? I know jack shit about Tintin, admittedly only reading Out on a Limb (the Shirley McClain thing) and the Karate Kid book adaptation when I was a kid.
Comment #5 (Posted by Logo Lou)
I keep hearing about selling the film to the US audience, but don't ALL movies have to do that? Based on a comic or not? If Tin Tin was an original Speilberg/Jackson creation, say, what would the difference be?
Comment #6 (Posted by trascendentgnat)
You yanks need to start reading more than just silly underwear on the outside-wearing superheroes! With some marketing, maybe likening it to Indiana Jones-style adventures, this should sell well. Once people see those pretty drawings in movement they'll be sold.
Comment #7 (Posted by messi)
people are dumb. you do realize that not all movies are based on an existing idea. isn't that a hard sell to the american public? yeah it's two movies to sell but they're essentially selling tin tin, which just like any random movie that comes out, isn't known about. I don't get this logic people like Russ have.
Comment #8 (Posted by Jim)
It's not the Tin Tin character that'll be a hard sell to the American public. It's that this is going to be a motion capture animated-sort-of movie. So far the public has rejected a couple of mo-cap movies unless the motion capture is a special effect in a conventional live action movie.
The technology isn't there yet and characters still have the creepy 'dead doll eyes' thing going.
Comment #9 (Posted by joeycash)
Just wait til Avatar comes out. Then you will believe in mo-cap. I have faith.
Comment #10 (Posted by transcendentgnat)
Gollum didnt have no dead-doll eyes, unlike Beowulf, neither did King Kong. Jackson might have his theatrical flaws but those Weta kiwis sure make some good creatures- i guess that's why they're helping out Cameron on Avatar.
Comment #11 (Posted by PhukHue)
Tin Tin stories are replete with bigoted imagery and prose. Why waste time, talent, and money on that crap?
Comment #12 (Posted by You Heard Me)
Because apart from that, they are amusing and entertaining adventures, with colorful characters. Somehow I don't think they'll forget to remove the offensive bits.
Comment #13 (Posted by carl s.)
30% of the gross? That's just greedy. If Speilberg and Jackson are really passionate about getting this made they'd gladly take a cut in pay. Not like they haven't got enough cash already. Jesus, Speilberg could finance the films on his own and be able to take the hit if they flopped.
Comment #14 (Posted by nitnit)
american audiences can only be lucky to experience a tintin film...great stories, great characters, great fun
Comment #15 (Posted by My friends call me Killjoy)
Logo Lou - excellent point! I have never been a TinTin fan, but that arguement should be getting these films made.

