I can barely interpret what the hell I just saw, which is kind of a rare thing in trailers these days. This has been on my radar since it was called How to Catch a Monster, and its lukewarm reception at Cannes only deepened my interest. I just so happen to love the other neon-drenched Gosling flick that divided Cannes audiences, and I really like cinematographer Benoît Debie’s hypersaturated look (as seen in Spring Breakers). I guess I know what I’ll be watching on April 10. Expect a review!
A new home awaits you. — By Travis Newton